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There is an appealing confidence to the way Jurassic War introduces itself as a 2002 television anime series. In Jurassic War, the premise connects the central character with a close companion and uses courage as an early source of pressure. In Jurassic War, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in action, adventure and anthropomorphic, that restraint creates a welcome sense of discovery

There is an appealing confidence to the way Gold Muscle introduces itself as a 2002 television anime series. The premise connects the central character with a close companion and uses competition as an early source of pressure. In Gold Muscle, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in science fiction and sports, that restraint creates a welcome sense of discovery. ⁠ Craft is a major part

There is an appealing confidence to the way Chaechaepong Kimchi Pong introduces itself as a 2002 television anime series. In Chaechaepong Kimchi Pong, the premise connects the central character with a close companion and uses discovery as an early source of pressure. In Chaechaepong Kimchi Pong, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in adventure, fantasy and kids, that restraint creates

There is an appealing confidence to the way Pecola introduces itself as a 2002 television anime series. In Pecola, the premise connects the central character with a close companion and uses friendship as an early source of pressure. In Pecola, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in kids, that restraint creates a welcome sense of discovery. ⁠ Character work gives Pecola much of its stay

There is an appealing confidence to the way Guilstein introduces itself as a 2002 anime film. In Guilstein, the premise connects the central character with a close companion and uses courage as an early source of pressure. In Guilstein, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in action, gore and horror, that restraint creates a welcome sense of discovery. ⁠ At plot level, Guilstein underst

There is an appealing confidence to the way Tamala 2010: A Punk Space introduces itself as a 2002 anime film. In Tamala 2010: A Punk Space, the premise connects the central character with a close companion and uses friendship as an early source of pressure. In Tamala 2010: A Punk Space, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in avant garde, comedy and psychological, that restraint creates

There is an appealing confidence to the way Super Heavy God Gravion introduces itself as a 2002 television anime series. In Super Heavy God Gravion, the premise connects the central character with a close companion and uses friendship as an early source of pressure. In Super Heavy God Gravion, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in comedy, mecha and science fiction, that restraint crea

There is an appealing confidence to the way Armitage III: Dual Matrix introduces itself as a 2002 anime film. In Armitage III: Dual Matrix, the premise connects the central character with a close companion and uses technology as an early source of pressure. In Armitage III: Dual Matrix, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in mecha and science fiction, that restraint creates a welcome s

There is an appealing confidence to the way Kiddy Grade introduces itself as a 2002 television anime series. The premise connects the central character with a close companion and uses technology as an early source of pressure. In Kiddy Grade, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in mecha, science fiction and space, that restraint creates a welcome sense of discovery. ⁠ What makes the ca

There is an appealing confidence to the way Getbackers introduces itself as a 2002 television anime series. In Getbackers, the premise connects the central character with a close companion and uses courage as an early source of pressure. In Getbackers, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in action, mystery and shounen, that restraint creates a welcome sense of discovery. ⁠ Getbackers s

There is an appealing confidence to the way RahXephon introduces itself as a 2002 television anime series. The premise connects the central character with a close companion and uses affection as an early source of pressure. In RahXephon, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in drama, mecha and music, that restraint creates a welcome sense of discovery. ⁠ The themes of RahXephon grow fro

There is an appealing confidence to the way The Twelve Kingdoms introduces itself as a 2002 television anime series. The premise connects the central character with a close companion and uses courage as an early source of pressure. In The Twelve Kingdoms, rather than explaining every corner of the world immediately, the opening lets behaviour establish the mood. For a story rooted in action, adventure and fantasy, that restraint creates a welcome sense of discovery. ⁠ The pre