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There is a useful directness to Böse Zellen, a romance shaped by Barbara Albert with a firm understanding of its audience. In Böse Zellen, Kathrin Resetarits provides the anchor while Ursula Strauss introduces a contrasting energy. Without revealing later complications, Böse Zellen opens from this situation: A young Austrian survives the crash of a commercial airliner. The resulting its 2h running time feels most convincing whenever Böse Zellen trusts behaviour more than expl

There is a useful directness to The Letter: An American Town and the 'Somali Invasion', a documentary shaped by Ziad H. Hamzeh with a firm understanding of its audience. In The Letter: An American Town and the 'Somali Invasion', Ziad H. Hamzeh provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, The Letter: An American Town and the 'Somali Invasion' opens from this situation: In the wake of the 9/

There is a useful directness to Independent Spirits: Faith Hubley/John Hubley, a documentary shaped by Sybil DelGaudio with a firm understanding of its audience. In Independent Spirits: Faith Hubley/John Hubley, John Canemaker provides the anchor while Faith Hubley introduces a contrasting energy. Without revealing later complications, Independent Spirits: Faith Hubley/John Hubley opens from this situation: . The resulting its 1h 30m running time feels most convincing wheneve

There is a useful directness to What Boys Like, a comedy shaped by Lawrence Gay with a firm understanding of its audience. In What Boys Like, Christopher Wiehl provides the anchor while Lisa Brenner introduces a contrasting energy. Without revealing later complications, What Boys Like opens from this situation: Three groomsmen try to hook up with the wedding's bridesmaids. The resulting its 1h 25m running time feels most convincing whenever What Boys Like trusts behaviour mor

There is a useful directness to Wash Dry and Spin Out, a drama shaped by Dan Patton with a firm understanding of its audience. In Wash Dry and Spin Out, Zoska Aleece provides the anchor while Nicole Areu introduces a contrasting energy. Without revealing later complications, Wash Dry and Spin Out opens from this situation: . The resulting its 1h 25m running time feels most convincing whenever Wash Dry and Spin Out trusts behaviour more than explanation. ⁠ A close look at Wash

There is a useful directness to Rockets Redglare!, a documentary shaped by Luis Fernandez de la Reguera with a firm understanding of its audience. In Rockets Redglare!, Gary Ray provides the anchor while Rockets Redglare introduces a contrasting energy. Without revealing later complications, Rockets Redglare! opens from this situation: Documentary on Rockets Redglare (aka Michael Morra), a colorful figure on the New York City art scene up until his death in 2001. The resultin

There is a useful directness to She's One of Us, a drama shaped by Siegrid Alnoy with a firm understanding of its audience. In She's One of Us, Sasha Andres provides the anchor while Carlo Brandt introduces a contrasting energy. Without revealing later complications, She's One of Us opens from this situation: Echoes of Dostoyevsky. The resulting its 1h 38m running time feels most convincing whenever She's One of Us trusts behaviour more than explanation. ⁠ The acting in She's

There is a useful directness to Hell's Highway: The True Story of Highway Safety Films, a documentary shaped by Bret Wood with a firm understanding of its audience. In Hell's Highway: The True Story of Highway Safety Films, Richard Anderson provides the anchor while Sonny Bono introduces a contrasting energy. Without revealing later complications, Hell's Highway: The True Story of Highway Safety Films opens from this situation: The history of traffic safety educational films

There is a useful directness to Swing, a comedy shaped by Martin Guigui with a firm understanding of its audience. In Swing, Constance Brenneman provides the anchor while Innis Casey introduces a contrasting energy. Without revealing later complications, Swing opens from this situation: A struggling musician happens upon a nightclub that's frozen in time. The resulting its 1h 38m running time feels most convincing whenever Swing trusts behaviour more than explanation. ⁠ The t

There is a useful directness to Risk/Reward, a documentary shaped by Elizabeth Holder with a firm understanding of its audience. In Risk/Reward, Umber Ahmad provides the anchor while Maria Bartiromo introduces a contrasting energy. Without revealing later complications, Risk/Reward opens from this situation: . The resulting its 1h 28m running time feels most convincing whenever Risk/Reward trusts behaviour more than explanation. ⁠ The most useful technical choice in Risk/Rewa

There is a useful directness to Conspiracy of Silence, a thriller shaped by John Deery with a firm understanding of its audience. In Conspiracy of Silence, Jonathan Forbes provides the anchor while Brenda Fricker introduces a contrasting energy. Without revealing later complications, Conspiracy of Silence opens from this situation: A Catholic priest's suicide and seminarian's expulsion for homosexuality spark a local journalist's investigation, uncovering celibacy controversi

There is a useful directness to The Work and the Story, a comedy shaped by Nathan Smith Jones with a firm understanding of its audience. In The Work and the Story, Nathan Smith Jones provides the anchor while Jen Hoskins introduces a contrasting energy. Without revealing later complications, The Work and the Story opens from this situation: It is July, 2000 Richard Dutcher, the man who pioneered "Mormon Cinema" with his film "God's Army" is MISSING and PRESUMED DEAD. The resu