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There is a useful directness to With All Deliberate Speed, a documentary shaped by Peter Gilbert with a firm understanding of its audience. In With All Deliberate Speed, Vernon Jordan provides the anchor while Thurgood Marshall Jr. introduces a contrasting energy. Without revealing later complications, With All Deliberate Speed opens from this situation: Documentary filmmaker Peter Gilbert unearths the legacy of the landmark Supreme Court decision in Brown v. The resulting it

There is a useful directness to Kill Your Idols, a documentary shaped by Scott Crary with a firm understanding of its audience. In Kill Your Idols, Ron Albertson provides the anchor while Angus Andrew introduces a contrasting energy. Without revealing later complications, Kill Your Idols opens from this situation: NYC's no wave movement of the 1970s and the art punk revival that happened there 30 years later frame a discussion about the crisis of innovation in an age of commo

There is a useful directness to A Decent Factory, a documentary shaped by Thomas Balmès with a firm understanding of its audience. In A Decent Factory, Louise Jamison provides the anchor while Hanna Kaskinen introduces a contrasting energy. Without revealing later complications, A Decent Factory opens from this situation: Follows representatives of Nokia as they examine working conditions at a Chinese factory that manufacturers products for the company. The resulting its 1h 1

There is a useful directness to Twist of Faith, a documentary shaped by Kirby Dick with a firm understanding of its audience. In Twist of Faith, Jeff Anderson provides the anchor while Barbara Blaine introduces a contrasting energy. Without revealing later complications, Twist of Faith opens from this situation: A man confronts the trauma of past sexual abuse as a boy by a Catholic priest only to find his decision shatters his relationships with his family, community and fait

There is a useful directness to Salvador Allende, a documentary shaped by Patricio Guzmán with a firm understanding of its audience. In Salvador Allende, Salvador Allende provides the anchor while Patricio Guzmán introduces a contrasting energy. Without revealing later complications, Salvador Allende opens from this situation: From his childhood in Valparaiso to his death during the Pinochet military coup on September 11, 1973, the life and works of Chilean president Salvador

There is a useful directness to Evil Remains, a horror film shaped by James Merendino with a firm understanding of its audience. In Evil Remains, Jeff Galpin provides the anchor while Maryam d'Abo introduces a contrasting energy. Without revealing later complications, Evil Remains opens from this situation: A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. The resulting

There is a useful directness to The Swenkas, a documentary shaped by Jeppe Rønde with a firm understanding of its audience. In The Swenkas, Sabelo provides the anchor while Mr. Zulu introduces a contrasting energy. Without revealing later complications, The Swenkas opens from this situation: A documentary on Johannesburg South African men who call themselves "Swenkas" and compete for cash and prizes in an event that's part fashion show, part choreography, and part moral code.

There is a useful directness to Living Life, a drama shaped by Jesse Harris with a firm understanding of its audience. In Living Life, Richard Arnold provides the anchor while Denea Banning introduces a contrasting energy. Without revealing later complications, Living Life opens from this situation: Jason is a normal 17 year old. The resulting its 1h 28m running time feels most convincing whenever Living Life trusts behaviour more than explanation. ⁠ Jesse Harris shapes Livin

There is a useful directness to Illusion, a romance shaped by Michael A. Goorjian with a firm understanding of its audience. In Illusion, Kirk Douglas provides the anchor while Michael A. Goorjian introduces a contrasting energy. Without revealing later complications, Illusion opens from this situation: A famed Hollywood director is nearing death and reevaluating his life. The resulting its 1h 46m running time feels most convincing whenever Illusion trusts behaviour more than

There is a useful directness to Rolling Family, a comedy shaped by Pablo Trapero with a firm understanding of its audience. In Rolling Family, Graciana Chironi provides the anchor while Adelina Bielopolsky introduces a contrasting energy. Without revealing later complications, Rolling Family opens from this situation: A wedding invite from an estranged sibiling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan. The resulting its 1

There is a useful directness to Crazy Like a Fox, a comedy shaped by Richard Squires with a firm understanding of its audience. In Crazy Like a Fox, Roger Rees provides the anchor while Mary McDonnell introduces a contrasting energy. Without revealing later complications, Crazy Like a Fox opens from this situation: This is the story of Nat Banks, an 8th generation Virginian gentleman farmer living in the past, who loses his family farm, Greenwood, to a pair of land speculator

There is a useful directness to Primo amore, a horror film shaped by Matteo Garrone with a firm understanding of its audience. In Primo amore, Michela Cescon provides the anchor while Vitaliano Trevisan introduces a contrasting energy. Without revealing later complications, Primo amore opens from this situation: Vittorio, a goldsmith looking for his perception of beauty, meets Sonia and manages to convince her to lose weight to an unhealthy degree. The resulting its 1h 34m ru