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What stands out first about The Work and the Glory III: A House Divided is the confidence with which Sterling Van Wagenen establishes its western identity. Rather than relying on premise alone, The Work and the Glory III: A House Divided asks Sam Hennings and Brenda Strong to supply personality from the opening stretch. The premise of The Work and the Glory III: A House Divided is established with useful clarity: Joshua Steed returns to Missouri a wealthy man with a beautiful

What stands out first about Romeo and Juliet is the confidence with which Yves Desgagnés establishes its drama identity. Rather than relying on premise alone, Romeo and Juliet asks Jeanne Moreau and Thomas Lalonde to supply personality from the opening stretch. The premise of Romeo and Juliet is established with useful clarity: Juliette, 15 ans, est la fille unique d'un éminent juge de la Cour Supérieure du Québec. That direct approach lets Romeo and Juliet use its 1h 45m run

What stands out first about Mon meilleur ami is the confidence with which Patrice Leconte establishes its comedy identity. Rather than relying on premise alone, Mon meilleur ami asks Daniel Auteuil and Dany Boon to supply personality from the opening stretch. The premise of Mon meilleur ami is established with useful clarity: Catherine, refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Th

What stands out first about Krrish is the confidence with which Rakesh Roshan establishes its action film identity. Rather than relying on premise alone, Krrish asks Hrithik Roshan and Priyanka Chopra Jonas to supply personality from the opening stretch. The premise of Krrish is established with useful clarity: Krishna is forced by circumstances to use his superpowers and become the masked superhero Krrish, before getting drawn towards his lost legacy. That direct approach le

What stands out first about After the Wedding is the confidence with which Susanne Bier establishes its drama identity. Rather than relying on premise alone, After the Wedding asks Mads Mikkelsen and Sidse Babett Knudsen to supply personality from the opening stretch. The premise of After the Wedding is established with useful clarity: A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life altering family secret. That direct approach lets

What stands out first about The Abandoned is the confidence with which Nacho Cerdá establishes its horror film identity. Rather than relying on premise alone, The Abandoned asks Anastasia Hille and Karel Roden to supply personality from the opening stretch. The premise of The Abandoned is established with useful clarity: An adopted woman returns to her home country and the family home that she never knew and must face the mystery that lies there. That direct approach lets The

What stands out first about Factory Girl is the confidence with which George Hickenlooper establishes its biographical drama identity. Rather than relying on premise alone, Factory Girl asks Sienna Miller and Guy Pearce to supply personality from the opening stretch. The premise of Factory Girl is established with useful clarity: Based on the rise and fall of socialite Edie Sedgwick, concentrating on her relationships with Andy Warhol and a folk singer. That direct approach l

What stands out first about Who Killed the Electric Car? is the confidence with which Chris Paine establishes its documentary identity. Rather than relying on premise alone, Who Killed the Electric Car? asks Martin Sheen and Tom Hanks to supply personality from the opening stretch. The premise of Who Killed the Electric Car? is established with useful clarity: A documentary that investigates the birth and death of the electric car, as well as the role of renewable energy and

What stands out first about Quinceañera is the confidence with which Richard Glatzer establishes its drama identity. Rather than relying on premise alone, Quinceañera asks Emily Rios and Jesse Garcia to supply personality from the opening stretch. The premise of Quinceañera is established with useful clarity: As Magdalena's 15th birthday approaches, her simple, blissful life is complicated by the discovery that she's pregnant. That direct approach lets Quinceañera use its 1h

What stands out first about The Wind that Shakes the Barley is the confidence with which Ken Loach establishes its war drama identity. Rather than relying on premise alone, The Wind that Shakes the Barley asks Cillian Murphy and Pádraic Delaney to supply personality from the opening stretch. The premise of The Wind that Shakes the Barley is established with useful clarity: Against the backdrop of the Irish War of Independence, two brothers fight a guerrilla war against Britis

What stands out first about Neil Young: Heart of Gold is the confidence with which Jonathan Demme establishes its documentary identity. Rather than relying on premise alone, Neil Young: Heart of Gold asks Neil Young and Emmylou Harris to supply personality from the opening stretch. The premise of Neil Young: Heart of Gold is established with useful clarity: A film shot over during a two night performance by Neil Young at Nashville's Ryman Auditorium. That direct approach lets

What stands out first about The Valet is the confidence with which Francis Veber establishes its comedy identity. Rather than relying on premise alone, The Valet asks Gad Elmaleh and Alice Taglioni to supply personality from the opening stretch. The premise of The Valet is established with useful clarity: A porter and a top model have to pretend to be a couple in order to salvage a CEO's marriage. That direct approach lets The Valet use its 1h 25m running time for character,