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There is a useful directness to Desert Bayou, a documentary shaped by Alex LeMay with a firm understanding of its audience. In Desert Bayou, the lead performer provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Desert Bayou opens from this situation: Questions of race, poverty, politics and religion hurdle towards each other in DESERT BAYOU, the story of 600 Hurricane Katrina evacuees who find t

There is a useful directness to Never Forever, a romance shaped by Gina Kim with a firm understanding of its audience. In Never Forever, Vera Farmiga provides the anchor while David Lee McInnis introduces a contrasting energy. Without revealing later complications, Never Forever opens from this situation: When an American woman begins a dangerous relationship with an attractive immigrant worker, in order to save her marriage, she finds her true self. The resulting its 1h 44m

There is a useful directness to The Education of Charlie Banks, a drama shaped by Fred Durst with a firm understanding of its audience. In The Education of Charlie Banks, Jesse Eisenberg provides the anchor while Jason Ritter introduces a contrasting energy. Without revealing later complications, The Education of Charlie Banks opens from this situation: College student Charlie Banks has to face old problems when the bully he had an unpleasant encounter with back in high schoo

There is a useful directness to All Hat, a western shaped by Leonard Farlinger with a firm understanding of its audience. In All Hat, Luke Kirby provides the anchor while Keith Carradine introduces a contrasting energy. Without revealing later complications, All Hat opens from this situation: After Ray serves his sentence, he seeks to find a new start in the world of thoroughbred racing, where romance and trouble are always present. The resulting its 1h 29m running time feels

There is a useful directness to Cthulhu, a horror film shaped by Dan Gildark with a firm understanding of its audience. In Cthulhu, Jason Cottle provides the anchor while Casey Curran introduces a contrasting energy. Without revealing later complications, Cthulhu opens from this situation: Seattle professor returns home, reunites with childhood friend, uncovers disturbing details about father's cult, events escalate dangerously toward apocalyptic situation. The resulting its

There is a useful directness to Descent, a thriller shaped by Talia Lugacy with a firm understanding of its audience. In Descent, Rosario Dawson provides the anchor while Chad Faust introduces a contrasting energy. Without revealing later complications, Descent opens from this situation: A college co ed is brutally raped and struggles alone to rebuild her life. The resulting its 1h 44m running time feels most convincing whenever Descent trusts behaviour more than explanation.

There is a useful directness to Quiet City, a drama shaped by Aaron Katz with a firm understanding of its audience. In Quiet City, Erin Fisher provides the anchor while Cris Lankenau introduces a contrasting energy. Without revealing later complications, Quiet City opens from this situation: Jamie is 21. The resulting its 1h 18m running time feels most convincing whenever Quiet City trusts behaviour more than explanation. ⁠ In Quiet City, Aaron Katz directs with a manner that

There is a useful directness to Time, an action film shaped by Shaji Kailas with a firm understanding of its audience. In Time, Suresh Gopi provides the anchor while Vimala Raman introduces a contrasting energy. Without revealing later complications, Time opens from this situation: Appan menon is on his way to investigation. The resulting its 2h 5m running time feels most convincing whenever Time trusts behaviour more than explanation. ⁠ What keeps Time emotionally readable i

There is a useful directness to Look, a comedy shaped by Adam Rifkin with a firm understanding of its audience. In Look, Jamie McShane provides the anchor while Spencer Redford introduces a contrasting energy. Without revealing later complications, Look opens from this situation: The lies, betrayal, and desires of nine different groups of people are revealed as they live out their secret lives in the sight of the security cameras that capture our every movement. The resulting

There is a useful directness to Noise, a comedy shaped by Henry Bean with a firm understanding of its audience. In Noise, Tim Robbins provides the anchor while William Hurt introduces a contrasting energy. Without revealing later complications, Noise opens from this situation: A man who is being driven crazy by the noise in New York City decides to take vigilante action against it. The resulting its 1h 32m running time feels most convincing whenever Noise trusts behaviour mor

There is a useful directness to Day Zero, a drama shaped by Bryan Gunnar Cole with a firm understanding of its audience. In Day Zero, Elijah Wood provides the anchor while Chris Klein introduces a contrasting energy. Without revealing later complications, Day Zero opens from this situation: The military draft is back, and three best friends are drafted and given 30 days to report for duty. The resulting its 1h 32m running time feels most convincing whenever Day Zero trusts be

There is a useful directness to Holding Trevor, a comedy shaped by Rosser Goodman with a firm understanding of its audience. In Holding Trevor, Brent Gorski provides the anchor while Christopher Wyllie introduces a contrasting energy. Without revealing later complications, Holding Trevor opens from this situation: Young, beautiful and intelligent, Trevor (screenwriter Brent Gorski) is in a stalemate. The resulting its 1h 28m running time feels most convincing whenever Holding