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What stands out first about Ta Ra Rum Pum is the confidence with which Siddharth Anand establishes its comedy identity. Rather than relying on premise alone, Ta Ra Rum Pum asks Saif Ali Khan and Rani Mukerji to supply personality from the opening stretch. The premise of Ta Ra Rum Pum is established with useful clarity: Ace car racer RV and his wife have the world at their feet. That direct approach lets Ta Ra Rum Pum use its 2h 33m running time for character, atmosphere and c

What stands out first about Saawariya is the confidence with which Sanjay Leela Bhansali establishes its romance identity. Rather than relying on premise alone, Saawariya asks Ranbir Kapoor and Sonam Kapoor to supply personality from the opening stretch. The premise of Saawariya is established with useful clarity: Two souls arrive in a small town, one on vacation, the other to meet a lover. That direct approach lets Saawariya use its 2h 22m running time for character, atmosph

What stands out first about Starting Out in the Evening is the confidence with which Andrew Wagner establishes its romance identity. Rather than relying on premise alone, Starting Out in the Evening asks Frank Langella and Lauren Ambrose to supply personality from the opening stretch. The premise of Starting Out in the Evening is established with useful clarity: An ambitious graduate student convinces a writer that her thesis can resurrect his career. That direct approach let

What stands out first about The Brothers Solomon is the confidence with which Bob Odenkirk establishes its comedy identity. Rather than relying on premise alone, The Brothers Solomon asks Will Arnett and Will Forte to supply personality from the opening stretch. The premise of The Brothers Solomon is established with useful clarity: A pair of well meaning, but socially inept brothers try to find their perfect mates in order to provide their dying father with a grandchild. Tha

What stands out first about Encounters at the End of the World is the confidence with which Werner Herzog establishes its documentary identity. Rather than relying on premise alone, Encounters at the End of the World asks Werner Herzog and Scott Rowland to supply personality from the opening stretch. The premise of Encounters at the End of the World is established with useful clarity: Film maker Werner Herzog travels to the McMurdo Station in Antarctica, looking to capture th

What stands out first about The Ten Commandments is the confidence with which Bill Boyce establishes its animated adventure identity. Rather than relying on premise alone, The Ten Commandments asks Ben Kingsley and Christian Slater to supply personality from the opening stretch. The premise of The Ten Commandments is established with useful clarity: In this animated adaptation of the Bible story Moses hears the voice of God from a burning bush, which inspires him to confront

What stands out first about Broken English is the confidence with which Zoe R. Cassavetes establishes its comedy identity. Rather than relying on premise alone, Broken English asks Parker Posey and Melvil Poupaud to supply personality from the opening stretch. The premise of Broken English is established with useful clarity: Since college, Nora hasn't had much luck with men. That direct approach lets Broken English use its 1h 33m running time for character, atmosphere and con

What stands out first about Diary of the Dead is the confidence with which George A. Romero establishes its horror film identity. Rather than relying on premise alone, Diary of the Dead asks Michelle Morgan and Joshua Close to supply personality from the opening stretch. The premise of Diary of the Dead is established with useful clarity: A group of young film students run into real life zombies while filming a horror movie of their own. That direct approach lets Diary of the

What stands out first about The Hunting Party is the confidence with which Richard Shepard establishes its comedy identity. Rather than relying on premise alone, The Hunting Party asks Richard Gere and Terrence Howard to supply personality from the opening stretch. The premise of The Hunting Party is established with useful clarity: A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the No.1 war criminal in B

What stands out first about Cassandra's Dream is the confidence with which Woody Allen establishes its thriller identity. Rather than relying on premise alone, Cassandra's Dream asks Colin Farrell and Ewan McGregor to supply personality from the opening stretch. The premise of Cassandra's Dream is established with useful clarity: London brothers Terry and Ian Blaine have serious financial woes. That direct approach lets Cassandra's Dream use its 1h 48m running time for charac

What stands out first about My Aunt Aline is the confidence with which Gabriel Pelletier establishes its comedy identity. Rather than relying on premise alone, My Aunt Aline asks Sylvie Léonard and Béatrice Picard to supply personality from the opening stretch. The premise of My Aunt Aline is established with useful clarity: Geneviève Saint Louis, a bachelor and neurotic careerist, refuses any form of engagement. That direct approach lets My Aunt Aline use its 1h 40m running

What stands out first about Before the Rains is the confidence with which Santosh Sivan establishes its thriller identity. Rather than relying on premise alone, Before the Rains asks Linus Roache and Rahul Bose to supply personality from the opening stretch. The premise of Before the Rains is established with useful clarity: A English spice baron settles in South India during the waning years of the Raj. That direct approach lets Before the Rains use its 1h 38m running time f