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There is a useful directness to Dear Zachary: A Letter to a Son About His Father, a documentary shaped by Kurt Kuenne with a firm understanding of its audience. In Dear Zachary: A Letter to a Son About His Father, Kurt Kuenne provides the anchor while Andrew Bagby introduces a contrasting energy. Without revealing later complications, Dear Zachary: A Letter to a Son About His Father opens from this situation: A filmmaker decides to memorialize a murdered friend when his frien

There is a useful directness to Live Fast, Die Young, a drama shaped by Timothy A. Chey with a firm understanding of its audience. In Live Fast, Die Young, Tammy Felice provides the anchor while Eric Feliciano introduces a contrasting energy. Without revealing later complications, Live Fast, Die Young opens from this situation: After an A list star accidentally dies at a Christmas party, a group of ten Hollywood insiders seek redemption. The resulting its 1h 41m running time

There is a useful directness to Between Love & Goodbye, a romance shaped by Casper Andreas with a firm understanding of its audience. In Between Love & Goodbye, Simon Miller provides the anchor while Rob Harmon introduces a contrasting energy. Without revealing later complications, Between Love & Goodbye opens from this situation: A modern gay drama about falling in and out of love, and the rocky road in between. The resulting its 1h 37m running time feels most convincing whe

There is a useful directness to Killshot, an action film shaped by John Madden with a firm understanding of its audience. In Killshot, Thomas Jane provides the anchor while Diane Lane introduces a contrasting energy. Without revealing later complications, Killshot opens from this situation: Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". The resulting its 1h 35m running time feels mo

There is a useful directness to Blessed Is the Match, a documentary shaped by Roberta Grossman with a firm understanding of its audience. In Blessed Is the Match, Peter Hay provides the anchor while Judy Baumel Schwartz introduces a contrasting energy. Without revealing later complications, Blessed Is the Match opens from this situation: The story of Hannah Senesh, a Hungarian poet who was captured by the Nazis, while trying to rescue Jews in WWII. The resulting its 1h 26m ru

There is a useful directness to Neshoba, a documentary shaped by Micki Dickoff with a firm understanding of its audience. In Neshoba, Edgar Ray Killen provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Neshoba opens from this situation: NESHOBA tells the story of a Mississippi town still divided about the meaning of justice, 40 years after the murders of civil rights workers James Chaney, Andrew

There is a useful directness to Donkey Punch, a horror film shaped by Olly Blackburn with a firm understanding of its audience. In Donkey Punch, Sian Breckin provides the anchor while Nichola Burley introduces a contrasting energy. Without revealing later complications, Donkey Punch opens from this situation: Things go drastically wrong for a group of British holidaymakers in Spain. The resulting its 1h 39m running time feels most convincing whenever Donkey Punch trusts behav

There is a useful directness to Trying to Get Good: The Jazz Odyssey of Jack Sheldon, a documentary shaped by Doug McIntyre with a firm understanding of its audience. In Trying to Get Good: The Jazz Odyssey of Jack Sheldon, Jack Sheldon provides the anchor while Joe Bagg introduces a contrasting energy. Without revealing later complications, Trying to Get Good: The Jazz Odyssey of Jack Sheldon opens from this situation: Legendary jazz trumpeter, Jack Sheldon, is just 'trying

There is a useful directness to A Wink and a Smile, a documentary shaped by Deirdre Allen Timmons with a firm understanding of its audience. In A Wink and a Smile, Miss Indigo Blue provides the anchor while Diane Bruch introduces a contrasting energy. Without revealing later complications, A Wink and a Smile opens from this situation: Ten ordinary women learn the art of the striptease when they dive into the glamorous world of burlesque in this musical documentary of diva pro

There is a useful directness to The Korean, an action film shaped by Thomas Dixon with a firm understanding of its audience. In The Korean, Josiah D. Lee provides the anchor while Paul Adamo introduces a contrasting energy. Without revealing later complications, The Korean opens from this situation: A big city crime lord has been betrayed by four associates. The resulting its 1h 38m running time feels most convincing whenever The Korean trusts behaviour more than explanation.

There is a useful directness to Walt & El Grupo, a documentary shaped by Theodore Thomas with a firm understanding of its audience. In Walt & El Grupo, Flávio Barroso provides the anchor while Lee Blair introduces a contrasting energy. Without revealing later complications, Walt & El Grupo opens from this situation: The story of the 1941 Goodwill Tour to South America made by Walt Disney and his staff. The resulting its 1h 46m running time feels most convincing whenever Walt

There is a useful directness to Tony Manero, a comedy shaped by Pablo Larraín with a firm understanding of its audience. In Tony Manero, Alfredo Castro provides the anchor while Amparo Noguera introduces a contrasting energy. Without revealing later complications, Tony Manero opens from this situation: A man is obsessed with John Travolta's disco dancing character from Saturday Night Fever (1977). The resulting its 1h 37m running time feels most convincing whenever Tony Maner