All Articles

There is a useful directness to Visual Acoustics, a documentary shaped by Eric Bricker with a firm understanding of its audience. In Visual Acoustics, Frances Anderton provides the anchor while Wim de Wit introduces a contrasting energy. Without revealing later complications, Visual Acoustics opens from this situation: Narrated by Dustin Hoffman, VISUAL ACOUSTICS celebrates the life and career of Julius Shulman, the worldÕs greatest architectural photographer, whose images br

There is a useful directness to Bart Got a Room, a comedy shaped by Brian Hecker with a firm understanding of its audience. In Bart Got a Room, Steven Kaplan provides the anchor while William H. Macy introduces a contrasting energy. Without revealing later complications, Bart Got a Room opens from this situation: While Danny's father and mother independently search for love, Danny is on his own desperate quest to find a prom date. The resulting its 1h 20m running time feels m

There is a useful directness to Harlan: In the Shadow of Jew Suess, a documentary shaped by Felix Moeller with a firm understanding of its audience. In Harlan: In the Shadow of Jew Suess, August Zirner provides the anchor while Alice Harlan introduces a contrasting energy. Without revealing later complications, Harlan: In the Shadow of Jew Suess opens from this situation: Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. The resul

There is a useful directness to La Bohème, a romance shaped by Robert Dornhelm with a firm understanding of its audience. In La Bohème, Anna Netrebko provides the anchor while Rolando Villazón introduces a contrasting energy. Without revealing later complications, La Bohème opens from this situation: The opera "La Bohème" is about the tragic love story of Mimí and Rodolfo, set in Paris in the year 1830. The resulting its 1h 55m running time feels most convincing whenever La B

There is a useful directness to In a Dream, a documentary shaped by Jeremiah Zagar with a firm understanding of its audience. In In a Dream, Isaiah Zagar provides the anchor while Julia Zagar introduces a contrasting energy. Without revealing later complications, In a Dream opens from this situation: The story of Julia Zagar and her husband Isaiah, a renowned mosaic artist, who for the past 30 years has covered more than 40,000 square feet of Philadelphia top to bottom with t

There is a useful directness to Roadside Romeo, an animated adventure shaped by Jugal Hansraj with a firm understanding of its audience. In Roadside Romeo, Saif Ali Khan provides the anchor while Kareena Kapoor introduces a contrasting energy. Without revealing later complications, Roadside Romeo opens from this situation: This is the story of Romeo. The resulting its 1h 33m running time feels most convincing whenever Roadside Romeo trusts behaviour more than explanation. ⁠ R

There is a useful directness to Beautiful Losers, a documentary shaped by Aaron Rose with a firm understanding of its audience. In Beautiful Losers, Julian Bennett Holmes provides the anchor while Thomas Campbell introduces a contrasting energy. Without revealing later complications, Beautiful Losers opens from this situation: This documentary follows the lives and careers of a collective group of Do it yourself artists and designers who inadvertently affected the art world.

There is a useful directness to Finding Amanda, a comedy shaped by Peter Tolan with a firm understanding of its audience. In Finding Amanda, Matthew Broderick provides the anchor while Brittany Snow introduces a contrasting energy. Without revealing later complications, Finding Amanda opens from this situation: A television producer with a penchant for drinking and gambling is sent to Las Vegas to convince his troubled niece to enter rehab. The resulting its 1h 36m running ti

There is a useful directness to Patrik, Age 1.5, a comedy shaped by Ella Lemhagen with a firm understanding of its audience. In Patrik, Age 1.5, Gustaf Skarsgård provides the anchor while Torkel Petersson introduces a contrasting energy. Without revealing later complications, Patrik, Age 1.5 opens from this situation: A Swedish gay couple adopt what they think is an 18 month old orphan, only to meet their new son, a 15 year old homophobic delinquent. The resulting its 1h 43m

There is a useful directness to The End of Poverty?, a documentary shaped by Philippe Diaz with a firm understanding of its audience. In The End of Poverty?, Martin Sheen provides the anchor while Amartya Sen introduces a contrasting energy. Without revealing later complications, The End of Poverty? opens from this situation: A phenomenal discourse on why poverty exists when there is so much wealth in the world. The resulting its 1h 46m running time feels most convincing when

There is a useful directness to Four Seasons Lodge, a documentary shaped by Andrew Jacobs with a firm understanding of its audience. In Four Seasons Lodge, the lead performer provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Four Seasons Lodge opens from this situation: From the darkness of Hitler's Europe to the mountains of the Catskills, Four Seasons Lodge follows a community of Holocaust su

There is a useful directness to Roman Polanski: Wanted and Desired, a documentary shaped by Marina Zenovich with a firm understanding of its audience. In Roman Polanski: Wanted and Desired, Andrew Braunsberg provides the anchor while Richard Brenneman introduces a contrasting energy. Without revealing later complications, Roman Polanski: Wanted and Desired opens from this situation: Examines the public scandal and private tragedy which led to legendary filmmaker Roman Polansk