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There is a useful directness to Domain, a romance shaped by Patric Chiha with a firm understanding of its audience. In Domain, Béatrice Dalle provides the anchor while Isaïe Sultan introduces a contrasting energy. Without revealing later complications, Domain opens from this situation: A drama centered on the relationship between a teenager, Pierre, and Nadia, a woman in her thirties. The resulting its 1h 50m running time feels most convincing whenever Domain trusts behaviour

There is a useful directness to London River, a mystery shaped by Rachid Bouchareb with a firm understanding of its audience. In London River, Brenda Blethyn provides the anchor while Sotigui Kouyaté introduces a contrasting energy. Without revealing later complications, London River opens from this situation: Two strangers come to discover the fate of their respective children in the 2005 terrorist attacks on London. The resulting its 1h 24m running time feels most convincin

There is a useful directness to The Thorn in the Heart, a documentary shaped by Michel Gondry with a firm understanding of its audience. In The Thorn in the Heart, Suzette Gondry provides the anchor while Jean Yves Gondry introduces a contrasting energy. Without revealing later complications, The Thorn in the Heart opens from this situation: Michel Gondry chronicles the life of Gondry family matriarch, his aunt Suzette Gondry, and her relationship with her son, Jean Yves. The

There is a useful directness to Tales from the Script, a documentary shaped by Peter Hanson with a firm understanding of its audience. In Tales from the Script, Allison Anders provides the anchor while Jane Anderson introduces a contrasting energy. Without revealing later complications, Tales from the Script opens from this situation: War stories and life lessons from the industry's top writers. The resulting its 1h 45m running time feels most convincing whenever Tales from t

There is a useful directness to Mugabe and the White African, a documentary shaped by Lucy Bailey with a firm understanding of its audience. In Mugabe and the White African, the lead performer provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Mugabe and the White African opens from this situation: An intimate and moving account of one family's extraordinary courage in the face of overwhelming i

There is a useful directness to Stolen, a crime drama shaped by Anders Anderson with a firm understanding of its audience. In Stolen, Jon Hamm provides the anchor while Josh Lucas introduces a contrasting energy. Without revealing later complications, Stolen opens from this situation: A detective deals with the loss of his own son while trying to uncover the identity of a boy whose mummified remains are found in a box buried for fifty years. The resulting its 1h 31m running t

There is a useful directness to Reunion, a drama shaped by Alan Hruska with a firm understanding of its audience. In Reunion, Derek Cecil provides the anchor while Sam Coppola introduces a contrasting energy. Without revealing later complications, Reunion opens from this situation: A group of friends unites on the 10 year anniversary of the death of a friend and member of their secret society from college. The resulting its 1h 30m running time feels most convincing whenever R

There is a useful directness to Freedom, a war drama shaped by Tony Gatlif with a firm understanding of its audience. In Freedom, Marc Lavoine provides the anchor while Marie Josée Croze introduces a contrasting energy. Without revealing later complications, Freedom opens from this situation: A Gypsy family travels the French roads during the Second World War, followed by Little Claude, a young boy seeking a new family after his parents "left and never returned". The resultin

There is a useful directness to Grace, a horror film shaped by Paul Solet with a firm understanding of its audience. In Grace, Jordan Ladd provides the anchor while Samantha Ferris introduces a contrasting energy. Without revealing later complications, Grace opens from this situation: After losing her unborn child, Madeline Matheson insists on carrying the baby to term. The resulting its 1h 25m running time feels most convincing whenever Grace trusts behaviour more than expla

There is a useful directness to Winter of Frozen Dreams, a crime drama shaped by Eric Mandelbaum with a firm understanding of its audience. In Winter of Frozen Dreams, Thora Birch provides the anchor while Keith Carradine introduces a contrasting energy. Without revealing later complications, Winter of Frozen Dreams opens from this situation: Barbara Hoffman is a University of Wisconsin science student. The resulting its 1h 32m running time feels most convincing whenever Wint

There is a useful directness to I'm Glad My Mother Is Alive, a drama shaped by Claude Miller with a firm understanding of its audience. In I'm Glad My Mother Is Alive, Vincent Rottiers provides the anchor while Sophie Cattani introduces a contrasting energy. Without revealing later complications, I'm Glad My Mother Is Alive opens from this situation: Given up for adoption as a toddler, troubled teenager Thomas becomes obsessed with tracking down his birth mother. The resultin

There is a useful directness to Only When I Dance, a documentary shaped by Beadie Finzi with a firm understanding of its audience. In Only When I Dance, Irlan Santos da Silva provides the anchor while Isabela Coracy Alves Nascimento Santos introduces a contrasting energy. Without revealing later complications, Only When I Dance opens from this situation: Two young kids try to dance their way out of the favelas of Rio. The resulting its 1h 18m running time feels most convincin