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There is a useful directness to Waiting for Forever, a comedy shaped by James Keach with a firm understanding of its audience. In Waiting for Forever, Rachel Bilson provides the anchor while Tom Sturridge introduces a contrasting energy. Without revealing later complications, Waiting for Forever opens from this situation: A Hollywood set romantic tale of a guy who is content to live his life without a job yet with the love of his life, a young actress. The resulting its 1h 35

There is a useful directness to Jane's Journey, a documentary shaped by Lorenz Knauer with a firm understanding of its audience. In Jane's Journey, Angelina Jolie provides the anchor while Pierce Brosnan introduces a contrasting energy. Without revealing later complications, Jane's Journey opens from this situation: More than 20 years ago, Dr Jane Goodall, now 75, decided to give up her career as a primatologist, as well as her private life, in order to devote all her energy

There is a useful directness to Tuesday, After Christmas, a romance shaped by Radu Muntean with a firm understanding of its audience. In Tuesday, After Christmas, Mimi Branescu provides the anchor while Mirela Oprisor introduces a contrasting energy. Without revealing later complications, Tuesday, After Christmas opens from this situation: Paul Hanganu loves two women. The resulting its 1h 39m running time feels most convincing whenever Tuesday, After Christmas trusts behavio

There is a useful directness to Breakdance Academy, a comedy shaped by Jon Artigo with a firm understanding of its audience. In Breakdance Academy, Michael Copon provides the anchor while Ryan Pinkston introduces a contrasting energy. Without revealing later complications, Breakdance Academy opens from this situation: It's 1983 and Brad Roberts is the best high school quarterback in the country. The resulting its 1h 30m running time feels most convincing whenever Breakdance A

There is a useful directness to Deux de la Vague, a documentary shaped by Emmanuel Laurent with a firm understanding of its audience. In Deux de la Vague, Isild Le Besco provides the anchor while Anouk Aimée introduces a contrasting energy. Without revealing later complications, Deux de la Vague opens from this situation: Jean Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s. The resulting its 1h 31m runnin

There is a useful directness to Redemption Road, a drama shaped by Mario Van Peebles with a firm understanding of its audience. In Redemption Road, Kiele Sanchez provides the anchor while Taryn Manning introduces a contrasting energy. Without revealing later complications, Redemption Road opens from this situation: Two men embark on a music steeped journey through the American South. The resulting its 1h 35m running time feels most convincing whenever Redemption Road trusts b

There is a useful directness to Multiple Sarcasms, a comedy shaped by Brooks Branch with a firm understanding of its audience. In Multiple Sarcasms, Timothy Hutton provides the anchor while Mira Sorvino introduces a contrasting energy. Without revealing later complications, Multiple Sarcasms opens from this situation: NYC, 1979: Gabriel and Annie's marriage is falling apart with only their daughter holding it together. The resulting its 1h 37m running time feels most convinci

There is a useful directness to Sacrifice, an action film shaped by Kaige Chen with a firm understanding of its audience. In Sacrifice, You Ge provides the anchor while Xueqi Wang introduces a contrasting energy. Without revealing later complications, Sacrifice opens from this situation: To save the only child of the Zhao Family, whose entire clan was massacred at the hands of a nefarious minister, a doctor sacrifices his own son; after the Zhao child grows up, the doctor bec

There is a useful directness to Brother, a sports drama shaped by Marcel Rasquin with a firm understanding of its audience. In Brother, Fernando Moreno provides the anchor while Eliú Armas introduces a contrasting energy. Without revealing later complications, Brother opens from this situation: Two young men who have been raised as brothers look to their soccer skills as a way of getting out of their slum. The resulting its 1h 37m running time feels most convincing whenever B

There is a useful directness to Evidence of a Haunting, a horror film shaped by Joey Evans with a firm understanding of its audience. In Evidence of a Haunting, Jessica D. Fulling provides the anchor while Renee Wiggins introduces a contrasting energy. Without revealing later complications, Evidence of a Haunting opens from this situation: Ghost hunters shoot a reality show fight for their lives in tunnels beneath an old Texas college. The resulting its 1h 20m running time fe

There is a useful directness to In My Sleep, a thriller shaped by Allen Wolf with a firm understanding of its audience. In In My Sleep, Philip Winchester provides the anchor while Tim Draxl introduces a contrasting energy. Without revealing later complications, In My Sleep opens from this situation: Marcus races to uncover the truth after he discovers he may have murdered a good friend while sleepwalking. The resulting its 1h 38m running time feels most convincing whenever In

There is a useful directness to GasLand, a documentary shaped by Josh Fox with a firm understanding of its audience. In GasLand, Josh Fox provides the anchor while Dick Cheney introduces a contrasting energy. Without revealing later complications, GasLand opens from this situation: An exploration of the fracking petroleum extraction industry and the serious environmental consequences involved. The resulting its 1h 47m running time feels most convincing whenever GasLand trusts