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Otter 501
There is a useful directness to Otter 501, a documentary shaped by Bob Talbot with a firm understanding of its audience. In Otter 501, Katie Pofahl provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Otter 501 opens from this situation: A storm grows, a sea otter pup is separated from her mother, and a young woman bound for adventure blows in to town. The resulting its 1h 25m running time feels m
Aug 103 min read
Graceland
There is a useful directness to Graceland, a thriller shaped by Ron Morales with a firm understanding of its audience. In Graceland, Arnold Reyes provides the anchor while Menggie Cobarrubias introduces a contrasting energy. Without revealing later complications, Graceland opens from this situation: When a kidnapping goes wrong, a desperate father risks everything to save his daughter from the men who hold her captive. The resulting its 1h 24m running time feels most convinci
Aug 102 min read
In Another Country
There is a useful directness to In Another Country, a drama shaped by Hong Sang soo with a firm understanding of its audience. In In Another Country, Isabelle Huppert provides the anchor while Yoo Joon sang introduces a contrasting energy. Without revealing later complications, In Another Country opens from this situation: A three tiered story centered on a trio of French tourists visiting the same seaside resort. The resulting its 1h 29m running time feels most convincing wh
Aug 103 min read
Nobody Walks
There is a useful directness to Nobody Walks, a drama shaped by Ry Russo Young with a firm understanding of its audience. In Nobody Walks, John Krasinski provides the anchor while Olivia Thirlby introduces a contrasting energy. Without revealing later complications, Nobody Walks opens from this situation: A Silver Lake family's relaxed dynamic is tested after they take in a young artist so she can complete her art film. The resulting its 1h 23m running time feels most convinc
Aug 103 min read
Elena
There is a useful directness to Elena, a documentary shaped by Petra Costa with a firm understanding of its audience. In Elena, Li An provides the anchor while Elena Andrade introduces a contrasting energy. Without revealing later complications, Elena opens from this situation: Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. The resulting its 1h 20m running time feels most convincing whenever Elena trusts behav
Aug 102 min read
The Sweeney
There is a useful directness to The Sweeney, an action film shaped by Nick Love with a firm understanding of its audience. In The Sweeney, Ray Winstone provides the anchor while Plan B introduces a contrasting energy. Without revealing later complications, The Sweeney opens from this situation: A hardened detective in the Flying Squad of London's Metropolitan police. The resulting its 1h 52m running time feels most convincing whenever The Sweeney trusts behaviour more than ex
Aug 103 min read
Out in the Dark
There is a useful directness to Out in the Dark, a thriller shaped by Michael Mayer with a firm understanding of its audience. In Out in the Dark, Nicholas Jacob provides the anchor while Michael Aloni introduces a contrasting energy. Without revealing later complications, Out in the Dark opens from this situation: A drama centered on the love affair between two men on opposite sides of the Mid East conflict: Palestinian student Nimer and Roy, an Israeli lawyer. The resulting
Aug 103 min read
Tiger Eyes
There is a useful directness to Tiger Eyes, a mystery shaped by Lawrence Blume with a firm understanding of its audience. In Tiger Eyes, Willa Holland provides the anchor while Amy Jo Johnson introduces a contrasting energy. Without revealing later complications, Tiger Eyes opens from this situation: After Davey's father is killed in a hold up, she and her mother and younger brother visit relatives in New Mexico. The resulting its 1h 32m running time feels most convincing whe
Aug 103 min read
Simon Killer
There is a useful directness to Simon Killer, a horror film shaped by Antonio Campos with a firm understanding of its audience. In Simon Killer, Brady Corbet provides the anchor while Mati Diop introduces a contrasting energy. Without revealing later complications, Simon Killer opens from this situation: A recent college graduate flees to Paris after a break up, where his involvement with a prostitute begins to reveal a potentially dark recent past. The resulting its 1h 46m r
Aug 103 min read
Least Among Saints
There is a useful directness to Least Among Saints, a crime drama shaped by Martin Papazian with a firm understanding of its audience. In Least Among Saints, Martin Papazian provides the anchor while Tristan Lake Leabu introduces a contrasting energy. Without revealing later complications, Least Among Saints opens from this situation: A haunted soldier just back from war and a boy who has never known peace in his home life embark on a life changing journey as they become unli
Aug 103 min read
Struck by Lightning
There is a useful directness to Struck by Lightning, a comedy shaped by Brian Dannelly with a firm understanding of its audience. In Struck by Lightning, Chris Colfer provides the anchor while Rebel Wilson introduces a contrasting energy. Without revealing later complications, Struck by Lightning opens from this situation: A high schooler recounts the way he blackmailed his fellow classmates into contributing to his literary magazine. The resulting its 1h 30m running time fee
Aug 103 min read
Paulette
There is a useful directness to Paulette, a comedy shaped by Jérôme Enrico with a firm understanding of its audience. In Paulette, Bernadette Lafont provides the anchor while Carmen Maura introduces a contrasting energy. Without revealing later complications, Paulette opens from this situation: Paulette lives alone in a housing project in the Paris suburbs. The resulting its 1h 27m running time feels most convincing whenever Paulette trusts behaviour more than explanation.
Aug 102 min read
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