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What stands out first about The Current War is the confidence with which Alfonso Gomez Rejon establishes its biographical drama identity. Rather than relying on premise alone, The Current War asks Benedict Cumberbatch and Oliver Powell to supply personality from the opening stretch. The premise of The Current War is established with useful clarity: The dramatic story of the cutthroat race between electricity titans Thomas A. That direct approach lets The Current War use its 1

What stands out first about Just Getting Started is the confidence with which Ron Shelton establishes its comedy identity. Rather than relying on premise alone, Just Getting Started asks Morgan Freeman and Tommy Lee Jones to supply personality from the opening stretch. The premise of Just Getting Started is established with useful clarity: An ex F.B.I. That direct approach lets Just Getting Started use its 1h 31m running time for character, atmosphere and consequence. ⁠ The p

What stands out first about Same Kind of Different as Me is the confidence with which Michael Carney establishes its biographical drama identity. Rather than relying on premise alone, Same Kind of Different as Me asks Greg Kinnear and Renée Zellweger to supply personality from the opening stretch. The premise of Same Kind of Different as Me is established with useful clarity: International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggl

What stands out first about The Snowman is the confidence with which Tomas Alfredson establishes its thriller identity. Rather than relying on premise alone, The Snowman asks Michael Fassbender and Rebecca Ferguson to supply personality from the opening stretch. The premise of The Snowman is established with useful clarity: Detective Harry Hole investigates the disappearance of a woman whose scarf is found wrapped around an ominous looking snowman. That direct approach lets T

What stands out first about Loving Vincent is the confidence with which DK Welchman establishes its animated adventure identity. Rather than relying on premise alone, Loving Vincent asks Douglas Booth and Jerome Flynn to supply personality from the opening stretch. The premise of Loving Vincent is established with useful clarity: In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist's fi

What stands out first about Beatriz at Dinner is the confidence with which Miguel Arteta establishes its comedy identity. Rather than relying on premise alone, Beatriz at Dinner asks Salma Hayek and John Lithgow to supply personality from the opening stretch. The premise of Beatriz at Dinner is established with useful clarity: A holistic medicine practitioner attends a wealthy client's dinner party after her car breaks down. That direct approach lets Beatriz at Dinner use its

What stands out first about Let There Be Light is the confidence with which Kevin Sorbo establishes its drama identity. Rather than relying on premise alone, Let There Be Light asks Kevin Sorbo and Sam Sorbo to supply personality from the opening stretch. The premise of Let There Be Light is established with useful clarity: An atheist goes through a near death experience in a car accident before converting to Christianity. That direct approach lets Let There Be Light use its

What stands out first about The Space Between Us is the confidence with which Peter Chelsom establishes its romance identity. Rather than relying on premise alone, The Space Between Us asks Gary Oldman and Asa Butterfield to supply personality from the opening stretch. The premise of The Space Between Us is established with useful clarity: The first human born on Mars travels to Earth for the first time, experiencing the wonders of the planet through fresh eyes. That direct a

What stands out first about The Death of Stalin is the confidence with which Armando Iannucci establishes its comedy identity. Rather than relying on premise alone, The Death of Stalin asks Steve Buscemi and Simon Russell Beale to supply personality from the opening stretch. The premise of The Death of Stalin is established with useful clarity: Moscow, 1953. That direct approach lets The Death of Stalin use its 1h 47m running time for character, atmosphere and consequence. ⁠

What stands out first about Thank You for Your Service is the confidence with which Jason Hall establishes its biographical drama identity. Rather than relying on premise alone, Thank You for Your Service asks Miles Teller and Beulah Koale to supply personality from the opening stretch. The premise of Thank You for Your Service is established with useful clarity: A group of U.S. That direct approach lets Thank You for Your Service use its 1h 49m running time for character, at

What stands out first about The Wife is the confidence with which Björn Runge establishes its drama identity. Rather than relying on premise alone, The Wife asks Glenn Close and Jonathan Pryce to supply personality from the opening stretch. The premise of The Wife is established with useful clarity: A wife questions her life choices as she travels to Stockholm to see her husband receive the Nobel Prize for Literature. That direct approach lets The Wife use its 1h 39m running

What stands out first about Marshall is the confidence with which Reginald Hudlin establishes its crime drama identity. Rather than relying on premise alone, Marshall asks Chadwick Boseman and Josh Gad to supply personality from the opening stretch. The premise of Marshall is established with useful clarity: The story of Thurgood Marshall, the crusading lawyer who would become the first African American Supreme Court Justice, as he battles through one of his career defining c