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Money Plane
There is a useful directness to Money Plane, a comedy shaped by Andrew Lawrence with a firm understanding of its audience. In Money Plane, Adam Copeland provides the anchor while Kelsey Grammer introduces a contrasting energy. Without revealing later complications, Money Plane opens from this situation: A professional thief with $40 million in debt and his family's life on the line must commit one final heist rob a futuristic airborne casino filled with the world's most dange
Aug 103 min read
Last and First Men
There is a useful directness to Last and First Men, a mystery shaped by Jóhann Jóhannsson with a firm understanding of its audience. In Last and First Men, Tilda Swinton provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Last and First Men opens from this situation: Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. The resulting its 1h 10m running ti
Aug 103 min read
Intelligent Design
There is a useful directness to Intelligent Design, a science fiction film shaped by David Spicer with a firm understanding of its audience. In Intelligent Design, Edward Bluemel provides the anchor while Erin Doherty introduces a contrasting energy. Without revealing later complications, Intelligent Design opens from this situation: When the paths of three scientists align, the fate of the robotics industry and the modern world is changed forever. The resulting its 3h 53m ru
Aug 103 min read
A Special Day
There is a useful directness to A Special Day, a romance shaped by Miryame Mshati with a firm understanding of its audience. In A Special Day, Niklas Agild provides the anchor while Josefin Glaadh introduces a contrasting energy. Without revealing later complications, A Special Day opens from this situation: It's Josefin's birthday and all she wishes for is to be with her crush Niklas. The resulting its measured running time feels most convincing whenever A Special Day trusts
Aug 103 min read
Complete Strangers
There is a useful directness to Complete Strangers, a thriller shaped by Pau Masó with a firm understanding of its audience. In Complete Strangers, Pau Masó provides the anchor while Matthew Crawley introduces a contrasting energy. Without revealing later complications, Complete Strangers opens from this situation: A recovering alcoholic returns to his hometown after a hiatus and falls in love with a man who will turn his world upside down. The resulting its 1h 45m running ti
Aug 103 min read
Avalon
There is a useful directness to Avalon, a documentary shaped by Thunska Pansittivorakul with a firm understanding of its audience. In Avalon, Thunska Pansittivorakul provides the anchor while Yossoontorn Sawasdee introduces a contrasting energy. Without revealing later complications, Avalon opens from this situation: A long film compiled from sexual tapes recorded by the directors. The resulting its 1h 3m running time feels most convincing whenever Avalon trusts behaviour mor
Aug 102 min read
Adam
There is a useful directness to Adam, a biographical drama shaped by Michael Uppendahl with a firm understanding of its audience. In Adam, Aaron Paul provides the anchor while Lena Olin introduces a contrasting energy. Without revealing later complications, Adam opens from this situation: A hard living salesman becomes a quadriplegic after an accident. The resulting its 1h 40m running time feels most convincing whenever Adam trusts behaviour more than explanation. Adam demo
Aug 102 min read
The Heist of the Century
There is a useful directness to The Heist of the Century, a comedy shaped by Ariel Winograd with a firm understanding of its audience. In The Heist of the Century, Guillermo Francella provides the anchor while Diego Peretti introduces a contrasting energy. Without revealing later complications, The Heist of the Century opens from this situation: In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina wh
Aug 103 min read
Trance
There is a useful directness to Trance, a thriller shaped by Anwar Rasheed with a firm understanding of its audience. In Trance, Fahadh Faasil provides the anchor while Nazriya Nazim introduces a contrasting energy. Without revealing later complications, Trance opens from this situation: A disheartened motivational speaker gets hired by a corporate to become a preacher until his live stint on television puts him and his service under the scanner. The resulting its 2h 50m runn
Aug 102 min read
After Love
There is a useful directness to After Love, a drama shaped by Aleem Khan with a firm understanding of its audience. In After Love, Joanna Scanlan provides the anchor while Nathalie Richard introduces a contrasting energy. Without revealing later complications, After Love opens from this situation: Set in the port town of Dover, Mary Hussain suddenly finds herself a widow following the unexpected death of her husband. The resulting its 1h 29m running time feels most convincing
Aug 103 min read
The Block Island Sound
There is a useful directness to The Block Island Sound, a horror film shaped by Kevin McManus with a firm understanding of its audience. In The Block Island Sound, Chris Sheffield provides the anchor while Michaela McManus introduces a contrasting energy. Without revealing later complications, The Block Island Sound opens from this situation: Something lurks off the coast of Block Island, silently influencing the behavior of fisherman, Tom Lynch. The resulting its 1h 39m runn
Aug 103 min read
Desperados
There is a useful directness to Desperados, a comedy shaped by LP with a firm understanding of its audience. In Desperados, Nasim Pedrad provides the anchor while Anna Camp introduces a contrasting energy. Without revealing later complications, Desperados opens from this situation: A panicked young woman, with her reluctant friends in tow, rushes to Mexico to try and delete a ranting email she sent to her new boyfriend. The resulting its 1h 45m running time feels most convinc
Aug 103 min read
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