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What stands out first about Wendy is the confidence with which Benh Zeitlin establishes its thriller identity. Rather than relying on premise alone, Wendy asks Devin France and Yashua Mack to supply personality from the opening stretch. The premise of Wendy is established with useful clarity: Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up.

What stands out first about The Reckoning is the confidence with which Neil Marshall establishes its horror film identity. Rather than relying on premise alone, The Reckoning asks Charlotte Kirk and Sean Pertwee to supply personality from the opening stretch. The premise of The Reckoning is established with useful clarity: Grace, a young widow haunted by the recent suicide of her husband Joseph, is falsely accused of being a witch by her Landlord after she rejects his advance

What stands out first about My Donkey, My Lover & I is the confidence with which Caroline Vignal establishes its comedy identity. Rather than relying on premise alone, My Donkey, My Lover & I asks Laure Calamy and Benjamin Lavernhe to supply personality from the opening stretch. The premise of My Donkey, My Lover & I is established with useful clarity: A schoolteacher crashes her married lover's family vacation and befriends a donkey named Patrick. That direct approach lets M

What stands out first about Shadow in the Cloud is the confidence with which Roseanne Liang establishes its horror film identity. Rather than relying on premise alone, Shadow in the Cloud asks Chloë Grace Moretz and Nick Robinson to supply personality from the opening stretch. The premise of Shadow in the Cloud is established with useful clarity: A female WWII pilot traveling with top secret documents on a B 17 Flying Fortress encounters an evil presence on board the flight.

What stands out first about The Dark and the Wicked is the confidence with which Bryan Bertino establishes its horror film identity. Rather than relying on premise alone, The Dark and the Wicked asks Marin Ireland and Michael Abbott Jr. to supply personality from the opening stretch. The premise of The Dark and the Wicked is established with useful clarity: On a secluded farm in a nondescript rural town, a man is slowly dying. That direct approach lets The Dark and the Wicked

What stands out first about Ammonite is the confidence with which Francis Lee establishes its romance identity. Rather than relying on premise alone, Ammonite asks Kate Winslet and Saoirse Ronan to supply personality from the opening stretch. The premise of Ammonite is established with useful clarity: 1840s England, acclaimed but overlooked fossil hunter Mary Anning and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives f

What stands out first about Palm Springs is the confidence with which Max Barbakow establishes its comedy identity. Rather than relying on premise alone, Palm Springs asks Andy Samberg and Cristin Milioti to supply personality from the opening stretch. The premise of Palm Springs is established with useful clarity: Nyles and Sarah find themselves stuck in a time loop and living the same day over and over again. That direct approach lets Palm Springs use its 1h 30m running tim

What stands out first about I Carry You with Me is the confidence with which Heidi Ewing establishes its drama identity. Rather than relying on premise alone, I Carry You with Me asks Armando Espitia and Yael Tadeo to supply personality from the opening stretch. The premise of I Carry You with Me is established with useful clarity: Ambition and societal pressure propel an aspiring chef to leave his soulmate in Mexico and make the treacherous journey to New York, where life wi

What stands out first about Follow Me is the confidence with which Will Wernick establishes its horror film identity. Rather than relying on premise alone, Follow Me asks Keegan Allen and Holland Roden to supply personality from the opening stretch. The premise of Follow Me is established with useful clarity: A social media personality travels with his friends to Moscow to capture new content for his successful VLOG. That direct approach lets Follow Me use its 1h 31m running

What stands out first about Come Away is the confidence with which Brenda Chapman establishes its fantasy identity. Rather than relying on premise alone, Come Away asks Gugu Mbatha Raw and Carter Thomas to supply personality from the opening stretch. The premise of Come Away is established with useful clarity: When their eldest brother dies, Peter and Alice seek to save their parents from despair until they are forced to choose between home and imagination, setting the stage

What stands out first about The Wolf of Snow Hollow is the confidence with which Jim Cummings establishes its horror film identity. Rather than relying on premise alone, The Wolf of Snow Hollow asks Jim Cummings and Riki Lindhome to supply personality from the opening stretch. The premise of The Wolf of Snow Hollow is established with useful clarity: Terror grips a small mountain town as bodies are discovered after each full moon. That direct approach lets The Wolf of Snow Ho

What stands out first about Always and Forever is the confidence with which Chris Stokes establishes its thriller identity. Rather than relying on premise alone, Always and Forever asks Cynthia Addai Robinson and Robbie Jones to supply personality from the opening stretch. The premise of Always and Forever is established with useful clarity: After a tragedy reunites Nicole with her childhood friends, they each find themselves in danger, targets of a deranged stalker. That dir