All Articles

There is a useful directness to Here After, a feature film shaped by the directing team with a firm understanding of its audience. In Here After, the lead performer provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Here After opens from this situation: . The resulting its measured running time feels most convincing whenever Here After trusts behaviour more than explanation. ⁠ the lead performer

There is a useful directness to The Monsters Without, a science fiction film shaped by Randal Kamradt with a firm understanding of its audience. In The Monsters Without, Jake Macapagal provides the anchor while Jessica Neistadt introduces a contrasting energy. Without revealing later complications, The Monsters Without opens from this situation: It's 2017 and the world still doesn't know that monsters, or Yablo, are real. The resulting its 1h 29m running time feels most convi

There is a useful directness to Introducing, Selma Blair, a documentary shaped by Rachel Fleit with a firm understanding of its audience. In Introducing, Selma Blair, Selma Blair provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, Introducing, Selma Blair opens from this situation: A deeply intimate and raw portrait of Selma Blair after she is diagnosed with Multiple Sclerosis and tries to slow t

There is a useful directness to Dark State, a thriller shaped by Tracy Lucca with a firm understanding of its audience. In Dark State, K. O'Rourke provides the anchor while Constantine Maroulis introduces a contrasting energy. Without revealing later complications, Dark State opens from this situation: An investigative reporter must choose between helping expose the truth or accepting that the world is ruled by a global network of ruthless insiders determined to wield power o

There is a useful directness to A Taste of Hunger, a romance shaped by Christoffer Boe with a firm understanding of its audience. In A Taste of Hunger, Katrine Greis Rosenthal provides the anchor while Nikolaj Coster Waldau introduces a contrasting energy. Without revealing later complications, A Taste of Hunger opens from this situation: A couple who sacrifice everything to achieve the highest possible accolade in the culinary world a Michelin star. The resulting its 1h 44m

There is a useful directness to Italian Studies, a drama shaped by Adam Leon with a firm understanding of its audience. In Italian Studies, Vanessa Kirby provides the anchor while David Ajala introduces a contrasting energy. Without revealing later complications, Italian Studies opens from this situation: A writer loses her memory. The resulting its 1h 21m running time feels most convincing whenever Italian Studies trusts behaviour more than explanation. ⁠ Vanessa Kirby gives

There is a useful directness to The Story of Film: A New Generation, a documentary shaped by Mark Cousins with a firm understanding of its audience. In The Story of Film: A New Generation, Mark Cousins provides the anchor while the principal supporting performer introduces a contrasting energy. Without revealing later complications, The Story of Film: A New Generation opens from this situation: Mark Cousins offers hope and optimism while he explores different movies and talks

There is a useful directness to The Boonies, a horror film shaped by Lance Parkin with a firm understanding of its audience. In The Boonies, Rick Dutrow provides the anchor while Daniel Johnson introduces a contrasting energy. Without revealing later complications, The Boonies opens from this situation: Campers find themselves in a fight for survival against a clan of cannibals in the Appalachian woods. The resulting its 1h 37m running time feels most convincing whenever The

There is a useful directness to Final Frequency, an action film shaped by Tim Lowry with a firm understanding of its audience. In Final Frequency, Lou Ferrigno Jr. provides the anchor while Charles Shaughnessy introduces a contrasting energy. Without revealing later complications, Final Frequency opens from this situation: A PhD student ties unusual tremors in Los Angeles to rogue scientists, who will weaponize Nikola Tesla's secrets and cause massive earthquakes, if they can

There is a useful directness to Endless Rain, a romance shaped by Jin mo Cho with a firm understanding of its audience. In Endless Rain, Kang Ha neul provides the anchor while Chun Woo hee introduces a contrasting energy. Without revealing later complications, Endless Rain opens from this situation: Strangers Young ho and So hee confide in each other through the exchange of handwritten letters in the early 2000s. The resulting its 1h 57m running time feels most convincing whe

There is a useful directness to Alter Ego, a thriller shaped by Ezio Massa with a firm understanding of its audience. In Alter Ego, Dylan Walsh provides the anchor while Steve Stanulis introduces a contrasting energy. Without revealing later complications, Alter Ego opens from this situation: This is a story of a reclusive paranoia genius author who spends a night in his isolated mansion waiting for his creation to come and destroy him. The resulting its 1h 14m running time f

There is a useful directness to Mau, a documentary shaped by Benjamin Bergmann with a firm understanding of its audience. In Mau, Paola Antonelli provides the anchor while Bjarke Ingels introduces a contrasting energy. Without revealing later complications, Mau opens from this situation: The unlikely story of design visionary Bruce Mau and his ever optimistic push for massive change. The resulting its 1h 17m running time feels most convincing whenever Mau trusts behaviour mor