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Indiana Jones and the Dial of Destiny
A spoiler free review of Indiana Jones and the Dial of Destiny begins with its confidence as an action film. Directed by James Mangold, it leans on Harrison Ford and Phoebe Waller Bridge to give the material a human centre. At story level, Archaeologist Indiana Jones, races and retrieve shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balanc
Jan 7, 20232 min read
Taylor Swift: The Eras Tour
Taylor Swift: The Eras Tour does not need a plot heavy introduction to make its case. This is a documentary shaped by performance, pacing and a strong central hook. Directed by Sam Wrench, it leans on Taylor Swift and Mike Meadows to give the material a human centre. The spoiler light setup draws Experience the Eras Tour, Taylor Swift and concert into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty. It
Jan 6, 20232 min read
Sound of Freedom
There is an appealing directness to Sound of Freedom. It knows it is a thriller, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Directed by Alejandro Monteverde, it leans on Jim Caviezel and Mira Sorvino to give the material a human centre. At story level, incredible, story and former shape the central setup, but the later turns are best left for the film to reveal. The thriller elements work through co
Jan 6, 20232 min read
John Wick: Chapter 4
John Wick: Chapter 4 approaches its action material with more interest in character than a quick synopsis might suggest. Directed by Chad Stahelski, it leans on Keanu Reeves and Laurence Fishburne to give the material a human centre. The spoiler light setup draws John Wick, The High Table. But and Wick into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth following, and it establishes the necessary
Jan 5, 20232 min read
Ant-Man and the Wasp: Quantumania
At its best, Ant Man and the Wasp: Quantumania works as a comedy that puts tone and performance ahead of empty explanation. Directed by Peyton Reed, it leans on Paul Rudd and Evangeline Lilly to give the material a human centre. At story level, Scott Lang, Hope Van Dyne and Quantum Realm shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. The humour lands most consistently thr
Jan 5, 20232 min read
Wonka
Wonka is a comedy with a clear idea of the experience it wants to create. Directed by Paul King, it leans on Timothée Chalamet and Gustave Die to give the material a human centre. The spoiler light setup draws Willy Wonka, dreams and opening into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. Comedy lives or dies on rhythm, and the film is at its best when it tr
Jan 4, 20232 min read
The Little Mermaid
A spoiler free review of The Little Mermaid begins with its confidence as a romance. Directed by Rob Marshall, it leans on Halle Bailey and Jonah Hauer King to give the material a human centre. At story level, mermaid, makes and witch shape the central setup, but the later turns are best left for the film to reveal. Those ingredients give the film a useful foundation, but the lasting impression depends on how well it balances mood, character and momentum. The film works whe
Jan 4, 20232 min read
Oppenheimer
Oppenheimer does not need a plot heavy introduction to make its case. This is a biographical drama shaped by performance, pacing and a strong central hook. Directed by Christopher Nolan, it leans on Cillian Murphy and Emily Blunt to give the material a human centre. The spoiler light setup draws J. Robert Oppenheimer, World War II and dramatization into the same story, creating a specific hook without requiring a long recap. From there, execution matters more than novelty.
Jan 3, 20232 min read
Guardians of the Galaxy Vol. 3
There is an appealing directness to Guardians of the Galaxy Vol. 3. It knows it is a comedy, understands the expectations attached to that label, and then looks for small ways to give the material its own voice. Directed by James Gunn, it leans on Chris Pratt and Chukwudi Iwuji to give the material a human centre. At story level, Still, Gamora and Peter Quill shape the central setup, but the later turns are best left for the film to reveal. Comedy lives or dies on rhythm, a
Jan 3, 20232 min read
Spider-Man: Across the Spider-Verse
Spider Man: Across the Spider Verse approaches its animated material with more interest in character than a quick synopsis might suggest. Directed by Joaquim Dos Santos and Kemp Powers, it leans on Shameik Moore and Hailee Steinfeld to give the material a human centre. The spoiler light setup draws Traveling, Miles Morales and Spider People into the same story, creating a specific hook without requiring a long recap. The film's first job is to make that setup feel worth follo
Jan 2, 20232 min read
The Super Mario Bros. Movie
At its best, The Super Mario Bros. Movie works as an animated film that puts tone and performance ahead of empty explanation. Directed by Aaron Horvath and Michael Jelenic, it leans on Chris Pratt and Anya Taylor Joy to give the material a human centre. At story level, Brooklyn, Mario and Luigi shape the central setup, but the later turns are best left for the film to reveal. The result has a recognisable personality from the opening stretch. Its visual design does more tha
Jan 2, 20232 min read
Barbie
Barbie is a comedy with a clear idea of the experience it wants to create. Directed by Greta Gerwig, it leans on Margot Robbie and Ryan Gosling to give the material a human centre. The spoiler light setup draws Barbie, Ken and Barbie Land. However into the same story, creating a specific hook without requiring a long recap. That is enough context to enter the film without spoiling the turns that give it shape. Comedy lives or dies on rhythm, and the film is at its best when
Jan 1, 20232 min read
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