All Articles

Reading Blackhawk Number 176 today is a surprisingly immediate experience. Published for September 1962, it carries the compact rhythms of Silver Age comics, yet its confidence is easy to recognise. The strongest material centres on Blackhawk and the Blackhawk Squadron, and the wider anthology keeps changing tone before any single idea becomes stale. That uneven mixture is part of the appeal because the issue is visibly testing what works. ⁠ The storytelling works best when i

The Many Loves of Dobie Gillis Number 12 arrives from March April 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. Dobie Gillis, Maynard Krebs, and their friends gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety.

All American Men of War Number 58 arrives from April May 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. the soldiers and pilots of the war anthology gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety. ⁠ The book'

House of Mystery Number 119 arrives from February 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. the mystery and supernatural anthology cast gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety. ⁠ The book's struct

Aquaman Number 4 arrives from July August 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. Aquaman and Aqualad gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety. ⁠ The book's structure is loose but rarely dull. St

Superman Number 157 arrives from December 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. Superman gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety. ⁠ The book's structure is loose but rarely dull. Stories invol

Blackhawk Number 175 arrives from August 1962 with the confident energy of a publisher expanding the possibilities of American comics. The issue does not feel like a museum piece sealed behind glass. It feels busy, ambitious, occasionally awkward, and eager to keep the reader turning pages. Blackhawk and the Blackhawk Squadron gives the collection its clearest point of focus, while the surrounding material creates a lively sense of variety. ⁠ The book's structure is loose but

There is something appealingly direct about The Many Loves of Dobie Gillis Number 11. This January February 1962 publication moves with the speed of an editor trying to fit a whole entertainment programme between two covers. Dobie Gillis, Maynard Krebs, and their friends supplies the main dramatic pull, but the issue earns its personality from constant shifts in mood, setting, and visual style. The result is imperfect, energetic, and much more readable than its age might sugg

There is something appealingly direct about All American Men of War Number 57. This February March 1962 publication moves with the speed of an editor trying to fit a whole entertainment programme between two covers. the soldiers and pilots of the war anthology supplies the main dramatic pull, but the issue earns its personality from constant shifts in mood, setting, and visual style. The result is imperfect, energetic, and much more readable than its age might suggest. ⁠ As a

There is something appealingly direct about House of Mystery Number 118. This January 1962 publication moves with the speed of an editor trying to fit a whole entertainment programme between two covers. the mystery and supernatural anthology cast supplies the main dramatic pull, but the issue earns its personality from constant shifts in mood, setting, and visual style. The result is imperfect, energetic, and much more readable than its age might suggest. ⁠ As a complete pack

There is something appealingly direct about Aquaman Number 3. This May June 1962 publication moves with the speed of an editor trying to fit a whole entertainment programme between two covers. Aquaman and Aqualad supplies the main dramatic pull, but the issue earns its personality from constant shifts in mood, setting, and visual style. The result is imperfect, energetic, and much more readable than its age might suggest. ⁠ As a complete package, the issue values momentum abo

There is something appealingly direct about Superman Number 156. This October November 1962 publication moves with the speed of an editor trying to fit a whole entertainment programme between two covers. Superman supplies the main dramatic pull, but the issue earns its personality from constant shifts in mood, setting, and visual style. The result is imperfect, energetic, and much more readable than its age might suggest. ⁠ As a complete package, the issue values momentum abo