All Articles

Lady Deadpool (2010) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 21 July 2010 as part of Lady Deadpool, it places Lady Deadpool at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Lady Deadpool (2010) 1 builds tension by making each apparent solution expose another complicatio

Reading Iron Man: Extremis Director's Cut (2010) 5 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 21 July 2010 as part of Iron Man: Extremis Director's Cut, it places Iron Man at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Iron Man: Extremis Director's Cut (2010) 5 builds t

HULK: PLANET HULK PRELUDE TPB (Trade Paperback) opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 21 July 2010 as part of HULK: PLANET HULK PRELUDE TPB, it places HULK: PLANET HULK PRELUDE TPB at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ HULK: PLANET HULK PRELUDE

Heroic Age: Prince of Power (2010) 3 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 21 July 2010 as part of Heroic Age: Prince of Power, it places Mighty Thor at the centre of a conflict shaped by truth and suspicion. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Heroic Age: Prince of Power (2010) 3 comes fro

What first stands out about Her oes (2010) 4 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 21 July 2010 as part of Her oes, it places Jenny Walters at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Her oes (2010) 4 comes from the gap between what Jenny Walters wants and what the situ

Fantastic Four by Jonathan Hickman Vol.1 (Trade Paperback) arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 21 July 2010 as part of Fantastic Four by Jonathan Hickman Vol.1, it places Fantastic Four by Jonathan Hickman Vol.1 at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure c

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Dracula (2010) 4 understands that principle. Published on 21 July 2010 as part of Dracula, it places Bram Stoker at the centre of a conflict shaped by fear and power. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Dracula (2010) 4 comes from the gap between what Bram Stoker wants and what the situation will re

There is something inviting about the way Deadpool: Merc with a Mouth (2009) 13 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 21 July 2010 as part of Deadpool: Merc with a Mouth, it places Nexus of All at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Deadpool: Merc with a Mouth (2009) 13 c

Deadpool (2008) 25 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 21 July 2010 as part of Deadpool, it places TRICKY PART at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Deadpool (2008) 25 comes from the gap between what TRICKY PART wants and what the situation will r

Reading Dark Wolverine (2009) 88 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 21 July 2010 as part of Dark Wolverine, it places PUNISHMENT CHAPTER at the centre of a conflict shaped by loyalty and belonging. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Dark Wolverine (2009) 88 comes from the gap between what PUNISH

Dark Tower: The Gunslinger The Journey Begins (2010) 3 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 21 July 2010 as part of Dark Tower: The Gunslinger The Journey Begins, it places BOLD NEW at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Da

Black Widow (2010) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 21 July 2010 as part of Black Widow, it places the Black at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Black Widow (2010) 4 allows one decision to create the next problem ins