All Articles

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Secret Avengers (2010) 9 understands that principle. Published on 26 January 2011 as part of Secret Avengers, it places Shang Chi at the centre of a conflict shaped by loyalty and belonging. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The storytelling in Secret Avengers (2010) 9 works through accumulation, adding one concern

There is something inviting about the way Punisher: In the Blood (2010) 3 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 26 January 2011 as part of Punisher: In the Blood, it places Stuart Clarke at the centre of a conflict shaped by affection and trust. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The storytelling in Punisher: In the Blood (2010) 3 works through accumu

Orson Scott Card's Speaker for the Dead (2011) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 26 January 2011 as part of Orson Scott Card's Speaker for the Dead, it places Orson Scott Card's Speaker for the Dead at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The storytelling

Reading Orson Scott Card's Speaker for the Dead (2010) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 26 January 2011 as part of Orson Scott Card's Speaker for the Dead, it places Ender Wiggin at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The storytelling in Orson Scott Card's S

New Mutants (2009) 21 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 26 January 2011 as part of New Mutants, it places THE RISE at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The storytelling in New Mutants (2009) 21 works through accumulation, adding one con

New Avengers (2010) 8 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 26 January 2011 as part of New Avengers, it places Luke Cage at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with explanation, New Avengers (2010) 8 lets the stakes emerg

What first stands out about Namor: The First Mutant (2010) 6 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 26 January 2011 as part of Namor: The First Mutant, it places NAMOR GOES TO at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with explanation, Namor: T

Marvel Masterworks: Fantastic Four (2010) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 26 January 2011 as part of Marvel Masterworks: Fantastic Four, it places World's Greatest Comic at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Adventures Spider Man (2005) 10 | Published 26 January 2011 understands that principle. Published on 26 January 2011 as part of Marvel Adventures Spider Man, it places Marvel Spider Man at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding e

There is something inviting about the way Magneto (2010) 1 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 26 January 2011 as part of Magneto, it places the Brotherhood at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with explanation, Magneto (2010) 1 lets the stakes emerge through press

Incredible Hulks (2010) 621 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 26 January 2011 as part of Incredible Hulks, it places CHAOS WAR at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with explanation, Incredible Hulks (2010) 621 lets the stakes emerge

Reading Fantastic Four (1998) 587 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 26 January 2011 as part of Fantastic Four, it places THREE PART at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Rather than crowding every page with explanation, Fantastic Four (1998) 587 let