All Articles

Fantastic Four (1998) 609 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 8 August 2012 as part of Fantastic Four, it places Fantastic Four at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Fantastic Four (1998) 609 treats the central conflict as a chain of consequence

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Deadpool Kills the Marvel Universe (2011) 2 understands that principle. Published on 8 August 2012 as part of Deadpool Kills the Marvel Universe, it places Mouth at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Deadpool Kills the Marvel Universe (2011) 2 treats the centra

There is something inviting about the way Daredevil Annual (2012) 1 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 8 August 2012 as part of Daredevil Annual, it places Doctor Strange at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Daredevil Annual (2012) 1 treats the central conflict as a chain of consequen

Conan the Barbarian (2012) 7 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 8 August 2012 as part of Conan the Barbarian, it places Conan the Barbarian at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Conan the Barbarian (2012) 7 treats the central conflict as a chain of consequ

Reading Captain America and Bucky (2011) 635 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 8 August 2012 as part of Captain America and Bucky, it places Kashmir Vennema at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Captain America and Bucky (2011) 635 treats the centra

Captain America (2011) 16 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 8 August 2012 as part of Captain America, it places Reed Braxton at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Captain America (2011) 16 treats the central conflict as a chain of conseq

Avengers Assemble (2012) 6 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 8 August 2012 as part of Avengers Assemble, it places Mad Titan at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Avengers Assemble (2012) 6 are the ones where action

What first stands out about X Men (2010) 33 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 1 August 2012 as part of X Men, it places X Men at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in X Men (2010) 33 are the ones where action changes a relationship as wel

X Factor (2005) 241 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 1 August 2012 as part of X Factor, it places CHANGE THE FACE at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in X Factor (2005) 241 are the ones where action changes a

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and ULTIMATE SPIDER MAN VOL. 8: CATS & KINGS (Trade Paperback) understands that principle. Published on 1 August 2012 as part of ULTIMATE SPIDER MAN VOL. 8: CATS & KINGS, it places ULTIMATE SPIDER MAN VOL. 8: CATS & KINGS at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear.

There is something inviting about the way ULTIMATE SPIDER MAN ULTIMATE COLLECTION BOOK 1 (Trade Paperback) establishes its world, its conflict and its emotional temperature with very little fuss. Published on 1 August 2012 as part of ULTIMATE SPIDER MAN ULTIMATE COLLECTION BOOK 1, it places ULTIMATE SPIDER MAN ULTIMATE COLLECTION BOOK 1 at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emot

Ultimate Comics Spider Man (2011) 13 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 1 August 2012 as part of Ultimate Comics Spider Man, it places DIVIDED WE FALL at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Ultimate Comics Spider Man (2011) 1