All Articles

Guardians of the Galaxy: Tomorrow's Avengers (2013) 1 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 3 July 2013 as part of Guardians of the Galaxy: Tomorrow's Avengers, it places LEAPING OFF at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Guardians of the Galaxy: Tomorr

What first stands out about Dexter (2013) 1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 3 July 2013 as part of Dexter, it places AN ALL NEW at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Dexter (2013) 1 builds tension by making each apparent solution expose another complication. DEXTER

Deadpool Kills Deadpool (2013) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 3 July 2013 as part of Deadpool Kills Deadpool, it places Deadpool Killogy at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Deadpool Kills Deadpool (2013) 1 builds tension by making ea

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Daredevil: Dark Nights (2013) 2 understands that principle. Published on 3 July 2013 as part of Daredevil: Dark Nights, it places Man Without Fear at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Daredevil: Dark Nights (2013) 2 builds tension by making each apparent solution

There is something inviting about the way Avengers a.I. (2013) 1 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 3 July 2013 as part of Avengers a.I., it places Hank Pym at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Avengers aI (2013) 1 builds tension by making each apparent solution expose another complicati

Avengers (2012) 15 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 3 July 2013 as part of Avengers, it places ECHO TERRA at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Avengers (2012) 15 builds tension by making each apparent solution expose another complication. Part Two changes

Reading Young Avengers (2013) 6 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 26 June 2013 as part of Young Avengers, it places David Alleyne at the centre of a conflict shaped by fear and power. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Young Avengers (2013) 6 builds tension by making each apparent solution expose another complic

X Men (2013) 2 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 26 June 2013 as part of X Men, it places X Men at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ X Men (2013) 2 builds tension by making each apparent solution expose another complication. John Sublime change

WOLVERINE BY LARRY HAMA & MARC SILVESTRI VOL. 1 TPB (Trade Paperback) provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 26 June 2013 as part of WOLVERINE BY LARRY HAMA & MARC SILVESTRI VOL. 1 TPB, it places WOLVERINE BY LARRY HAMA & MARC SILVESTRI VOL. 1 TPB at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while

What first stands out about Wolverine & the X Men (2011) 32 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 26 June 2013 as part of Wolverine & the X Men, it places HELLFIRE SAGA PART at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Wolverine & the X Men (2011) 32 comes fro

Wolverine (2013) 5 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 26 June 2013 as part of Wolverine, it places Drowning Logan at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Wolverine (2013) 5 comes from the gap between what Drowning Logan wants

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Uncanny X Men (2013) 7 understands that principle. Published on 26 June 2013 as part of Uncanny X Men, it places UNCANNY X MEN at the centre of a conflict shaped by fear and power. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Uncanny X Men (2013) 7 comes from the gap between what UNCANNY X MEN wants and what