All Articles

Sub Mariner (1968) #34 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 February 1971 as part of Sub Mariner, with Silver Surfer providing the clearest point of entry. Its premise connects Hulk with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Sub Mariner (1

What first stands out about Sgt Fury (1963) #84 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 February 1971 as part of Sgt. Fury, with Sgt. Fury providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Sgt Fur

Rawhide Kid (1955) #84 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 February 1971 as part of Rawhide Kid, with Rawhide Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in R

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Iron Man (1968) #34 understands that principle. The issue was published on 1 February 1971 as part of Iron Man, with Spy Master providing the clearest point of entry. Its premise connects Tony Stark with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Iron Man (1968) #34 wor

There is something inviting about the way Incredible Hulk (1962) #136 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 February 1971 as part of Incredible Hulk, with Xeron the Star providing the clearest point of entry. Its premise connects Klaatu with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Incredib

Fantastic Four (1961) #107 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 February 1971 as part of Fantastic Four, with Negative Zone providing the clearest point of entry. Its premise connects Thing with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Fantastic Four (1961)

Reading Daredevil (1964) #73 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 February 1971 as part of Daredevil, with Zodiac Cartel providing the clearest point of entry. Its premise connects Iron Man with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Daredevil (1964) #

Conan the Barbarian (1970) #3 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 February 1971 as part of Conan the Barbarian, with Conan the Barbarian providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventur

Captain America (1968) #134 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 February 1971 as part of Captain America, with Captain America providing the clearest point of entry. Its premise connects Cap with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding eve

What first stands out about Avengers (1963) #85 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 February 1971 as part of Avengers, with Scarlet Witch providing the clearest point of entry. Its premise connects Arkon with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation, A

Astonishing Tales (1970) #4 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 February 1971 as part of Astonishing Tales, with Ka Zar providing the clearest point of entry. Its premise connects Meanwhile Doctor Doom with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Two Gun Kid (1948) #96 understands that principle. The issue was published on 10 January 1971 as part of Two Gun Kid, with Two Gun Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every