All Articles

Strange Tales (1951) #173 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 April 1974 as part of Strange Tales, with Brother Voodoo providing the clearest point of entry. Its premise connects Mama Limbo with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Strange Tales (1951) #173 build

What first stands out about Power Man (1974) #18 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 April 1974 as part of Power Man, with Power Man providing the clearest point of entry. Its premise connects the supporting cast with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Power Man (1974) #18 builds tension b

Master of Kung Fu (1974) #17 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 April 1974 as part of Master of Kung Fu, with Shang Chi providing the clearest point of entry. Its premise connects Sir Denis with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Master of Kung Fu (1974)

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Team Up (1972) #20 understands that principle. The issue was published on 1 April 1974 as part of Marvel Team Up, with Black Panther providing the clearest point of entry. Its premise connects NYC with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Marvel Team Up (1972) #20 builds tensi

There is something inviting about the way Man Thing (1974) #4 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 April 1974 as part of Man Thing, with Richard Rory providing the clearest point of entry. Its premise connects Man Thing with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Man Thing (1974) #4 builds tension by mak

Kull the Destroyer (1973) #13 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 April 1974 as part of Kull the Destroyer, with Kull the Destroyer providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Kull the Destroyer

Reading Iron Man (1968) #67 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 April 1974 as part of Iron Man, with Iron Man providing the clearest point of entry. Its premise connects Freak with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Iron Man (1968) #67 builds tension by making eac

Incredible Hulk (1962) #174 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 April 1974 as part of Incredible Hulk, with Cobalt Man providing the clearest point of entry. Its premise connects Sydney with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Incredible Hulk (1962) #17

Ghost Rider (1973) #5 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 April 1974 as part of Ghost Rider, with Dude Jensen providing the clearest point of entry. Its premise connects Ghost Rider with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Ghost Rider (1973) #5 comes

What first stands out about Fantastic Four (1961) #145 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 April 1974 as part of Fantastic Four, with Human Torch providing the clearest point of entry. Its premise connects Medusa with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Fantastic F

Deadly Hands of Kung Fu (1974) #1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 April 1974 as part of Deadly Hands of Kung Fu, with Black Tiger providing the clearest point of entry. Its premise connects Bob Diamond with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Conan the Barbarian (1970) #37 understands that principle. The issue was published on 1 April 1974 as part of Conan the Barbarian, with Conan the Barbarian providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story