All Articles

Devil Dinosaur (1978) 9 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 December 1978 as part of Devil Dinosaur, with Devil Dinosaur providing the clearest point of entry. Its premise connects Moon Boy with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Devil

What first stands out about Defenders (1972) 66 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 December 1978 as part of Defenders, with Barbara Norriss providing the clearest point of entry. Its premise connects Reign Eternal with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Defenders

Conan the Barbarian (1970) 93 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 December 1978 as part of Conan the Barbarian, with Conan the Barbarian providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Captain America (1968) 228 understands that principle. The issue was published on 1 December 1978 as part of Captain America, with Captain America providing the clearest point of entry. Its premise connects Where's Sam Wilson with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Capt

There is something inviting about the way Avengers (1963) 178 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 December 1978 as part of Avengers, with Beast providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Avengers (1963) 178 work

Spider Woman (1978) 8 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 November 1978 as part of Spider Woman, with Immortal Man providing the clearest point of entry. Its premise connects Spider Woman with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Spider Woman (1978) 8 works thro

Reading Invaders (1975) 34 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 November 1978 as part of Invaders, with Invaders providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Invaders (1

Captain Marvel (1968) 59 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 November 1978 as part of Captain Marvel, with Mar Vell providing the clearest point of entry. Its premise connects Drax the Destroyer with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in

Black Panther (1977) 12 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 November 1978 as part of Black Panther, with Kiber the Cruel providing the clearest point of entry. Its premise connects T'Challa with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding eve

What first stands out about Uncanny X Men (1981) 115 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 1978 as part of Uncanny X Men, with X Man Storm providing the clearest point of entry. Its premise connects Karl Lykos with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding ever

Uncanny X Men (1963) 115 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 1978 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than cro

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Tomb of Dracula (1972) 67 understands that principle. The issue was published on 1 November 1978 as part of Tomb of Dracula, with Janus providing the clearest point of entry. Its premise connects Lilith with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with ex