All Articles

Power Man and Iron Fist (1978) 53 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 October 1978 as part of Power Man and Iron Fist, with Power Man providing the clearest point of entry. Its premise connects Iron Fist with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Powe

What first stands out about Power Man (1974) 53 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 October 1978 as part of Power Man, with Power Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Power Man

Master of Kung Fu (1974) 69 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 October 1978 as part of Master of Kung Fu, with Shang Chi providing the clearest point of entry. Its premise connects Battle Royale with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Master of Ku

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Two in One (1974) 44 understands that principle. The issue was published on 1 October 1978 as part of Marvel Two in One, with Ever Lovin' Blue providing the clearest point of entry. Its premise connects Eyed Thing with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Marvel Two

There is something inviting about the way Marvel Team Up (1972) 74 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 October 1978 as part of Marvel Team Up, with Marvel Team Up providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in

Marvel Super Heroes (1967) 75 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 October 1978 as part of Marvel Super Heroes, with Marvel Super Heroes providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Marv

Reading Marvel Premiere (1972) 44 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 October 1978 as part of Marvel Premiere, with Marvel Premiere providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story moment

Marvel Classics Comics Series Featuring (1976) 34 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 October 1978 as part of Marvel Classics Comics Series Featuring, with Robin Hood providing the clearest point of entry. Its premise connects Merry Men with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announc

Machine Man (1978) 7 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 October 1978 as part of Machine Man, with Peter Spaulding providing the clearest point of entry. Its premise connects Machine Man with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when M

What first stands out about Kull the Destroyer (1973) 29 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 October 1978 as part of Kull the Destroyer, with Kull the Destroyer providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ T

Iron Man (1968) 115 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 October 1978 as part of Iron Man, with Tony Stark providing the clearest point of entry. Its premise connects Iron Man with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Iron Man (196

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Ghost Rider (1973) 32 understands that principle. The issue was published on 1 October 1978 as part of Ghost Rider, with Johnny Blaze providing the clearest point of entry. Its premise connects Bounty Hunter with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Ghost R