All Articles

There is something inviting about the way Marvel Feature (1975) 7 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 10 November 1976 as part of Marvel Feature, with Marvel Feature providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative lev

Iron Fist (1975) 9 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 November 1976 as part of Iron Fist, with Iron Fist providing the clearest point of entry. Its premise connects Golden Tigers Gang with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Iron Fist (1975) 9 understands that

Reading Defenders (1972) 41 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 November 1976 as part of Defenders, with Doc Strange providing the clearest point of entry. Its premise connects Trish’ Starr with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Defenders (1972) 41 unders

Daredevil (1964) 139 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 November 1976 as part of Daredevil, with Daredevil providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Dar

Captain Marvel (1968) 47 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 November 1976 as part of Captain Marvel, with Mar Vell providing the clearest point of entry. Its premise connects THE SENTRY STRIKES with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Captain Marvel (1968) 47 build

What first stands out about Captain Britain (1976) 6 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 10 November 1976 as part of Captain Britain, with Captain Britain Vol providing the clearest point of entry. Its premise connects Chris Claremont with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Captain B

Captain Britain (1976) 5 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 3 November 1976 as part of Captain Britain, with Captain Britain Vol providing the clearest point of entry. Its premise connects Chris Claremont with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Captain Bri

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Werewolf By Night (1972) 41 understands that principle. The issue was published on 1 November 1976 as part of Werewolf by Night, with Jack Russell providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Werewolf By Nig

There is something inviting about the way Warlock (1972) 15 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 November 1976 as part of Warlock, with Gamora providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Warlock (1972) 15 builds tension by making each a

Tomb of Dracula (1972) 50 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 November 1976 as part of Tomb of Dracula, with It's Silver Surfer providing the clearest point of entry. Its premise connects Power Cosmic with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Tomb of Dracula (1972) 50 builds tension b

Reading Thor Annual (1966) 5 | Published 1 November 1976 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 November 1976 as part of Thor Annual, with Thor providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Tho

Thor (1966) 253 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 November 1976 as part of Thor, with Thor providing the clearest point of entry. Its premise connects Ulik with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Thor (1966) 253 builds tension by making each apparent solutio