All Articles

There is something inviting about the way Daredevil (1964) 365 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 10 June 1997 as part of Daredevil, with Molten Man providing the clearest point of entry. Its premise connects Mister Fear with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanati

Captain America (1996) 8 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 June 1997 as part of Captain America, with Captain America providing the clearest point of entry. Its premise connects American Spirit with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with expl

Reading Avengers (1996) 8 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 June 1997 as part of Avengers, with Avengers providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explana

Star Wars: X Wing Rogue Squadron (1995) 19 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 4 June 1997 as part of Star Wars: X Wing Rogue Squadron, with Malrev IV providing the clearest point of entry. Its premise connects Rogue Squadron with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠

X Men Unlimited (1993) 15 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 June 1997 as part of X Men Unlimited, with X Men Unlimited providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Men Unlimite

What first stands out about X Men (1991) 65 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 June 1997 as part of X Men, with Professor Xavier providing the clearest point of entry. Its premise connects Bastion with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Men (1991) 65 treats the central conflict

X Man (1995) 28 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 June 1997 as part of X Man, with X Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Man (1995) 28 treats the central conflict

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and X Force (1991) 67 understands that principle. The issue was published on 1 June 1997 as part of X Force, with Dani Moonstar providing the clearest point of entry. Its premise connects the supporting cast with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Force (1991) 67 treats the central conflic

There is something inviting about the way X Factor (1986) 135 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 June 1997 as part of X Factor, with X Factor providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Factor (1986) 135 treats the centra

Wolverine (1988) 114 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 June 1997 as part of Wolverine, with Wolverine providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Wolverine (1988) 114 treats the central confli

Reading What If (1989) 98 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 June 1997 as part of What If?, with What If? providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ What If (1989) 98 treats the central

Venom: License to Kill (1997) 1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 June 1997 as part of Venom: License to Kill, with Federal Agent providing the clearest point of entry. Its premise connects Lethal Protector with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Ven