All Articles

Abominations (1996) 2 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 January 1997 as part of Abominations, with Abominations providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding

What first stands out about Star Wars: X Wing Rogue Squadron (1995) 14 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 26 December 1996 as part of Star Wars: X Wing Rogue Squadron, with Rogue Squadron providing the clearest point of entry. Its premise connects Plourr Ilo with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventur

Spider Man: The Osborn Journal (1996) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 18 December 1996 as part of Spider Man: The Osborn Journal, with Spider Man providing the clearest point of entry. Its premise connects Peter Parker with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adven

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Star Wars: Tales of the Jedi The (1996) 3 understands that principle. The issue was published on 11 December 1996 as part of Star Wars: Tales of the Jedi The Golden Age of the Sith, with Jori Daragon providing the clearest point of entry. Its premise connects Force with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another

There is something inviting about the way Tales from the Age of Apocalyspse: By (1996) 1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 10 December 1996 as part of Tales from the Age of Apocalyspse: By the Light, with Astonishing X Men providing the clearest point of entry. Its premise connects Crusher Creel with questions of identity and responsibility. That combination gives the opening a purpose beyond si

Peter Parker, the Spectacular Spider Man (1976) 241 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 December 1996 as part of Peter Parker, the Spectacular Spider Man, with the Chameleon providing the clearest point of entry. Its premise connects Doctor Kafka with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing ano

Reading Generation X (1994) 22 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 December 1996 as part of Generation X, with Generation X providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowdin

Fantastic Four (1996) 2 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 December 1996 as part of Fantastic Four, with Fantastic Four providing the clearest point of entry. Its premise connects Mole Man with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding

Deadpool (1997) | Published 10 December 1996 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 December 1996 as part of Deadpool, with Mouth providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Deadpoo

What first stands out about Captain America (1996) 2 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 10 December 1996 as part of Captain America, with Nick Fury providing the clearest point of entry. Its premise connects Party with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Captain America (1996) 2 treats the

Avengers (1996) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 10 December 1996 as part of Avengers, with Avengers providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Avengers (1996) 2 treats the central co

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Shadows and Light (1996) 1 understands that principle. The issue was published on 4 December 1996 as part of Marvel Shadows and Light, with the Tomb providing the clearest point of entry. Its premise connects Michael Golden with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Marvel Shad