All Articles

There is something inviting about the way Spider Girl Presents: The Buzz (2000) 3 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 2000 as part of Spider Girl Presents: The Buzz, with Spider Girl providing the clearest point of entry. Its premise connects Doctor Jade with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventur

Spider Girl (1998) 24 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 September 2000 as part of Spider Girl, with Daily Bugle providing the clearest point of entry. Its premise connects the supporting cast with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Spider Girl (1998) 24

Reading Sentry (2000) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 2000 as part of Sentry, with Bob Reynolds AK providing the clearest point of entry. Its premise connects SENTRY with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Sentry (2000) 1 unders

Punisher (2000) 6 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 2000 as part of Punisher, with Ma Gnucci providing the clearest point of entry. Its premise connects Mister Payback with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Punisher (2000) 6 un

Power Pack (2000) 2 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 2000 as part of Power Pack, with Power Pack providing the clearest point of entry. Its premise connects Snarks with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Power Pack (2000) 2 builds tension by making each

What first stands out about Peter Parker: Spider Man (1999) 21 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 2000 as part of Peter Parker: Spider Man, with Life of Spider providing the clearest point of entry. Its premise connects Human Torch with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠

Mystic (2000) 3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 2000 as part of Mystic, with Mystic providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Mystic (2000) 3 builds tension by mak

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Mutant X (1998) 23 understands that principle. The issue was published on 1 September 2000 as part of Mutant X, with Throw The X providing the clearest point of entry. Its premise connects Mutant X with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Mutant X (1998) 23 builds tension by making each appare

There is something inviting about the way Marvel Knights (2000) 3 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 2000 as part of Marvel Knights, with Ulik the Troll providing the clearest point of entry. Its premise connects Knights with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Marvel Knights (2000) 3 builds tensi

Marvel Boy (2000) 2 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 September 2000 as part of Marvel Boy, with It's Marvel Boy providing the clearest point of entry. Its premise connects New York City with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Marvel Boy (2000) 2 builds tension by mak

Reading Magneto: Dark Seduction (2000) 4 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 2000 as part of Magneto: Dark Seduction, with Carrion Cove providing the clearest point of entry. Its premise connects Scarlet Witch with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Magneto: Dark Sed

Iron Man (1998) 32 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 2000 as part of Iron Man, with Iron Man providing the clearest point of entry. Its premise connects Sons of Yinsen with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Iron Man (1998) 32 builds tensio