All Articles

Punisher (2000) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 July 2000 as part of Punisher, with Gnuccis providing the clearest point of entry. Its premise connects Punisher with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Punisher (2000) 4 allows one dec

What first stands out about Peter Parker: Spider Man (1999) 19 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 July 2000 as part of Peter Parker: Spider Man, with Peter Parker providing the clearest point of entry. Its premise connects Mary Jane with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot

Mystic (2000) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 July 2000 as part of Mystic, with Mystic providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Mystic (2000) 1

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Mutant X (1998) 21 understands that principle. The issue was published on 1 July 2000 as part of Mutant X, with Professor X providing the clearest point of entry. Its premise connects Havok with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Mutant X (1998) 21 allows

There is something inviting about the way Marvel Knights (2000) 1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 July 2000 as part of Marvel Knights, with Black Widow providing the clearest point of entry. Its premise connects Shang Chi with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Marvel Knights (20

Magneto: Dark Seduction (2000) 2 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 July 2000 as part of Magneto: Dark Seduction, with It's Daughter providing the clearest point of entry. Its premise connects Scarlet Witch with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest whe

Reading Iron Man (1998) 30 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 July 2000 as part of Iron Man, with Iron Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Iron Man

Inhumans (2000) 2 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 July 2000 as part of Inhumans, with Inhumans providing the clearest point of entry. Its premise connects Kree with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Inhumans (2000) 2 allows one dec

Hulk (1999) 17 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 July 2000 as part of Hulk, with Hulk providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Hulk (1999) 17 works throug

What first stands out about Generation X (1994) 65 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 July 2000 as part of Generation X, with Within the House providing the clearest point of entry. Its premise connects Warden Coffin with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Generation X (1

Gambit (1999) 18 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 July 2000 as part of Gambit, with X Cutioner providing the clearest point of entry. Its premise connects ASSASSINATION GAME PART with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Gambit (1999)

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Fantastic Four (1998) 31 understands that principle. The issue was published on 1 July 2000 as part of Fantastic Four, with Invisible Woman providing the clearest point of entry. Its premise connects Doctor Doom with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Fantastic Fou