All Articles

Iron Fist/Wolverine: The Return of K'un Lun (2000) 1 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 November 2000 as part of Iron Fist/Wolverine: The Return of K'un Lun, with Iron Fist/Wolverine: The Return of K'un Lun providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination g

What first stands out about Iron Fist/Wolverine (2000) 1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 2000 as part of Iron Fist/Wolverine, with THE RETURN providing the clearest point of entry. Its premise connects K'UN LUN PART with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Iron Fist/Wolverine (

Hulk Annual (2000) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 2000 as part of Hulk Annual, with Bruce Banner providing the clearest point of entry. Its premise connects New York with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Hulk Annual (2000) 1 treats the central c

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Hulk (1999) 21 understands that principle. The issue was published on 1 November 2000 as part of Hulk, with Hulk providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Hulk (1999) 21 treats the central conflict as a c

There is something inviting about the way Generation X (1994) 69 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 November 2000 as part of Generation X, with Massachusetts Academy providing the clearest point of entry. Its premise connects Generation X with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Generation X (1994)

Gambit (1999) 22 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 November 2000 as part of Gambit, with X Men providing the clearest point of entry. Its premise connects Remy LeBeau with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Gambit (1999) 22 treats the central conflict as a chain of consequences,

Reading Fantastic Four (1998) 35 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 November 2000 as part of Fantastic Four, with Fantastic Four providing the clearest point of entry. Its premise connects Diablo with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Fantastic Four (1998) 35 tr

Doom (2000) 2 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 November 2000 as part of Doom, with Doctor Doom providing the clearest point of entry. Its premise connects Al Khalad with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Doom (2000) 2 treats the central conflict as

Deadpool (1997) 46 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 November 2000 as part of Deadpool, with CRUEL SUMMER Part providing the clearest point of entry. Its premise connects Sack with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in Deadpool (199

What first stands out about Darkdevil (2000) 1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 2000 as part of Darkdevil, with Secret Society providing the clearest point of entry. Its premise connects Spider Girl with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in Darkdev

Captain Marvel (2000) 11 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 2000 as part of Captain Marvel, with Captain Mar Vell providing the clearest point of entry. Its premise connects Genis with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Captain America (1998) 35 understands that principle. The issue was published on 1 November 2000 as part of Captain America, with Captain America providing the clearest point of entry. Its premise connects Omega Compound with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive p