All Articles

Galactus the Devourer (1999) 1 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 1999 as part of Galactus the Devourer, with Silver Surfer providing the clearest point of entry. Its premise connects Red Shift with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in G

What first stands out about Fantastic Four (1998) 21 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 1999 as part of Fantastic Four, with IS Hades providing the clearest point of entry. Its premise connects Underworld with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Fantastic Four

Earth X (1999) 6 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 1999 as part of Earth X, with Professor Xavier providing the clearest point of entry. Its premise connects Scott Summers with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Earth X (19

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Deathlok (1999) 1 understands that principle. The issue was published on 1 September 1999 as part of Deathlok, with Billy Bailey providing the clearest point of entry. Its premise connects Deathlok with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Deathlok (1999) 1 works through acc

There is something inviting about the way Contest of Champions II (1999) 1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 1999 as part of Contest of Champions II, with Contest of Champions II providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another ad

Captain America (1998) 21 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 September 1999 as part of Captain America, with Iron Man providing the clearest point of entry. Its premise connects Captain America with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Captain America

Reading Cable (1993) 71 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 1999 as part of Cable, with Cable providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Cable (1993) 71 work

Black Panther (1998) 11 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 1999 as part of Black Panther, with Black Panther providing the clearest point of entry. Its premise connects United States with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Black Pan

Avengers (1998) 20 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 1999 as part of Avengers, with the Avengers providing the clearest point of entry. Its premise connects Wonder Man with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation

What first stands out about Astonishing X Men (1999) 1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 1999 as part of Astonishing X Men, with Astonishing X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rat

Amazing Spider Man (1999) 9 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 1999 as part of Amazing Spider Man, with Spider Man providing the clearest point of entry. Its premise connects Peter Parker with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crow

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and A Next (1998) 12 understands that principle. The issue was published on 1 September 1999 as part of A Next, with Ant Man providing the clearest point of entry. Its premise connects Wasp with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation, A Next (1998)