All Articles

Uncanny X Men (1963) 365 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 February 1999 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than cro

What first stands out about Thunderbolts (1997) 23 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 February 1999 as part of Thunderbolts, with Avengers providing the clearest point of entry. Its premise connects Thunderbolts' with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with ex

Thunderbolts (1997) | Published 1 February 1999 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 February 1999 as part of Thunderbolts, with Thunderbolts providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventu

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and The Punisher (1998) 4 understands that principle. The issue was published on 1 February 1999 as part of The Punisher, with Heaven providing the clearest point of entry. Its premise connects Hell with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation, The Puni

There is something inviting about the way Spider Man: Chapter One (1998) 4 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 February 1999 as part of Spider Man: Chapter One, with Spider Man providing the clearest point of entry. Its premise connects Doc Ock with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than cro

Spider Girl (1998) 5 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 February 1999 as part of Spider Girl, with VENOM IS BACK providing the clearest point of entry. Its premise connects Spider Girl with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation, Sp

Reading Peter Parker: Spider Man (1999) 2 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 February 1999 as part of Peter Parker: Spider Man, with Spider Man providing the clearest point of entry. Its premise connects Aunt May with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather tha

Mutant X (1998) 5 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 February 1999 as part of Mutant X, with Man Spider providing the clearest point of entry. Its premise connects Green Goblin with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with exp

Moon Knight (1999) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 February 1999 as part of Moon Knight, with Moon Knight providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Moon Knight (1999) 4 tr

What first stands out about Moon Knight (1999) 3 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 February 1999 as part of Moon Knight, with Moon Knight providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Moon Knight (1999) 3 t

Moon Knight (1999) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 February 1999 as part of Moon Knight, with Moon Knight providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Moon Knight (1999) 2 tr

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Authentix: Gambit (1999) 1 understands that principle. The issue was published on 1 February 1999 as part of Marvel Authentix: Gambit, with Marvel Authentix: Gambit providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adv