All Articles

There is something inviting about the way Avengers Forever (1998) 2 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 10 January 1999 as part of Avengers Forever, with Rick Jones providing the clearest point of entry. Its premise connects Avengers with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Avengers Forever (1998) 2 builds tensio

Avengers (1998) 12 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 January 1999 as part of Avengers, with Avengers providing the clearest point of entry. Its premise connects the supporting cast with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Avengers (1998) 12 builds tension by making each appar

Reading Amazing Spider Man (1999) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 6 January 1999 as part of Amazing Spider Man, with Amazing Spider Man providing the clearest point of entry. Its premise connects Howard Mackie with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Amazing Spider Man (1

X Men (1991) 83 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 January 1999 as part of X Men, with THE HUNT FOR providing the clearest point of entry. Its premise connects XAVIER PART with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ X Men (1991) 83 builds tension by makin

X Force (1991) 86 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 January 1999 as part of X Force, with X Force providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in X Force (1991) 86

What first stands out about X Force (1991) 85 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 January 1999 as part of X Force, with X Force providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in X Force (1991) 8

Wild Thing (1999) arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 January 1999 as part of Wild Thing, with Wild Thing providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Wild Thing

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Webspinners: Tales of Spider Man (1999) 1 understands that principle. The issue was published on 1 January 1999 as part of Webspinners: Tales of Spider Man, with Spider Man providing the clearest point of entry. Its premise connects See Spidey with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.

There is something inviting about the way Warlock (1998) 3 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 January 1999 as part of Warlock, with Nega Bands providing the clearest point of entry. Its premise connects Negative Zone with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Warlock (1998) 3 comes from the gap

Union Jack (1998) 2 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 January 1999 as part of Union Jack, with Kenneth Crichton providing the clearest point of entry. Its premise connects Union Jack with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Union Jack (1998) 2 comes from the gap b

Reading UNCANNY X MEN ANNUAL 1 (1999) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 January 1999 as part of UNCANNY X MEN ANNUAL 1, with UNCANNY X MEN 1 providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠

Uncanny X Men Annual (1999) 1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 January 1999 as part of Uncanny X Men Annual, with X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom