top of page
All Articles
Spider Man's Tangled Web (2001) 4
Spider Man's Tangled Web (2001) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 2001 as part of Spider Man's Tangled Web, with Kingpin providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.
Aug 193 min read
Spider Girl (1998) 36
What first stands out about Spider Girl (1998) 36 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 2001 as part of Spider Girl, with CAUGHT IN BETWEEN providing the clearest point of entry. Its premise connects Spider Girl with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. The most persuasive passages in S
Aug 192 min read
Punisher (2001) 3
Punisher (2001) 3 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 2001 as part of Punisher, with Punisher providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. The most persuasive passages in
Aug 192 min read
Peter Parker: Spider Man (1999) 33
A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Peter Parker: Spider Man (1999) 33 understands that principle. The issue was published on 1 September 2001 as part of Peter Parker: Spider Man, with Uncle Ben providing the clearest point of entry. Its premise connects Peter Parker with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. The most p
Aug 193 min read
NEW X MEN ANNUAL 1 (2001) 1
There is something inviting about the way NEW X MEN ANNUAL 1 (2001) 1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 2001 as part of NEW X MEN ANNUAL 1, with NEW X MEN 1 providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. The most pe
Aug 193 min read
New X Men Annual (2001) 1
New X Men Annual (2001) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 September 2001 as part of New X Men Annual, with China providing the clearest point of entry. Its premise connects Xorn with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. The most persuasive passages in New X Men Annual
Aug 193 min read
Mystic (2000) 15
Reading Mystic (2000) 15 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 2001 as part of Mystic, with Mystic providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. The most persuasive passages in Mysti
Aug 192 min read
Marvel Knights (2000) 15
Marvel Knights (2000) 15 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 2001 as part of Marvel Knights, with Black Widow providing the clearest point of entry. Its premise connects Dagger with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. The most persuasive passages in Marv
Aug 192 min read
Iron Man (1998) 44
Iron Man (1998) 44 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 2001 as part of Iron Man, with Iron Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. At narrative level, Iron Man (
Aug 192 min read
Ghost Rider (2001) 2
What first stands out about Ghost Rider (2001) 2 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 2001 as part of Ghost Rider, with Ghost Rider providing the clearest point of entry. Its premise connects Johnny Blaze with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. At narrative level, Ghost Rider (2001) 2
Aug 192 min read
Fantastic Four: World's Greatest Comics Magazine (2001) 8
Fantastic Four: World's Greatest Comics Magazine (2001) 8 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 2001 as part of Fantastic Four: World's Greatest Comics Magazine, with Atlantean Beasts providing the clearest point of entry. Its premise connects Black Panther with questions of identity and responsibility. That combination gives the opening a pur
Aug 193 min read
Fantastic Four (1998) 45
A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Fantastic Four (1998) 45 understands that principle. The issue was published on 1 September 2001 as part of Fantastic Four, with Fantastic Four providing the clearest point of entry. Its premise connects Ben Grimm with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing another adventure. At narrative level, Fantastic Four (
Aug 193 min read
bottom of page