All Articles

The Call (2003) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 2003 as part of The Call, with Jeriah Halidon providing the clearest point of entry. Its premise connects EMT with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in The Call (2003) 4 comes from th

What first stands out about Startling Stories: The Thing Night Falls on Yancy Street (2003) 4 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 2003 as part of Startling Stories: The Thing Night Falls on Yancy Street, with Yancy Street providing the clearest point of entry. Its premise connects Ben Grimm with questions of identity and responsibility. That combination gives the open

Spider Man & Wolverine (2003) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 2003 as part of Spider Man & Wolverine, with STUFF OF LEGENDS providing the clearest point of entry. Its premise connects Spider Man with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story moment

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Spider Girl (1998) 62 understands that principle. The issue was published on 1 September 2003 as part of Spider Girl, with Spider Girl providing the clearest point of entry. Its premise connects May Parker with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Spider Girl (1998) 62 come

There is something inviting about the way Spectacular Spider Man (2003) 2 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 September 2003 as part of Spectacular Spider Man, with Venom providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom

Spectacular Spider Man (2003) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 September 2003 as part of Spectacular Spider Man, with Paul Jenkins providing the clearest point of entry. Its premise connects Humberto Ramos with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in S

Reading Silver Surfer (2003) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 September 2003 as part of Silver Surfer, with COMMUNION PART providing the clearest point of entry. Its premise connects Children with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Silver Surfe

Sentinel (2003) 4 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 September 2003 as part of Sentinel, with Juston providing the clearest point of entry. Its premise connects the supporting cast with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Sentinel (2003)

Mystic (2000) 39 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 September 2003 as part of Mystic, with Mystic providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Mystic (2

What first stands out about Marvel Masterworks: The X Men Vol. III 2nd Edition (1st) (Trade Paperback) is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 September 2003 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond si

Kingpin (2003) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 September 2003 as part of Kingpin, with Wilson Fisk providing the clearest point of entry. Its premise connects the supporting cast with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Kingpin (20

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Iron Man (1998) 70 understands that principle. The issue was published on 1 September 2003 as part of Iron Man, with Vegas Bleeds Neon providing the clearest point of entry. Its premise connects Part with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Iron Man (1998)