All Articles

Avengers (1998) 79 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 15 April 2004 as part of Avengers, with Wrecking Crew providing the clearest point of entry. Its premise connects Hawkeye with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Avengers (1998) 79 al

What first stands out about Weapon X (2002) 22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 14 April 2004 as part of Weapon X, with Director of Weapon providing the clearest point of entry. Its premise connects MARVEL PSR with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Weap

Ultimate X Men (2001) 44 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 14 April 2004 as part of Ultimate X Men, with NEW MUTANTS PART providing the clearest point of entry. Its premise connects Emma Frost with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Thor: Son of Asgard (2004) 3 understands that principle. The issue was published on 14 April 2004 as part of Thor: Son of Asgard, with THE WARRIORS TEEN providing the clearest point of entry. Its premise connects PART with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Thor: So

There is something inviting about the way Spectacular Spider Man (2003) 13 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 14 April 2004 as part of Spectacular Spider Man, with the Lizard providing the clearest point of entry. Its premise connects MARVEL PSR with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest

She Hulk (2004) 2 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 14 April 2004 as part of She Hulk, with CLASS ACTION COMICS providing the clearest point of entry. Its premise connects MARVEL PSR with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when She Hulk (2004) 2 al

Reading Runaways Vol. 1: Pride & Joy (Digest) as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 14 April 2004 as part of Runaways, with Meet Alex providing the clearest point of entry. Its premise connects Karolina with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Runa

Marvel Knights Spider Man (2004) 1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 14 April 2004 as part of Marvel Knights Spider Man, with DOWN AMONG providing the clearest point of entry. Its premise connects DEAD PART with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The p

Marvel 1602 (2003) 8 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 14 April 2004 as part of Marvel 1602, with Marvel 1602 providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Marve

What first stands out about Iron Man (1998) 79 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 14 April 2004 as part of Iron Man, with THE DEEP END providing the clearest point of entry. Its premise connects Tony Stark with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Iron Man (1998) 7

Iron Fist (2004) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 14 April 2004 as part of Iron Fist, with Danny Rand providing the clearest point of entry. Its premise connects Iron Fist with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Iron Fist (2004) 2 w

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Inhumans (2003) 12 understands that principle. The issue was published on 14 April 2004 as part of Inhumans, with FINAL ISSUE providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Inhumans (2003)