All Articles

Captain Marvel (2002) 18 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 March 2004 as part of Captain Marvel, with Rick Jones providing the clearest point of entry. Its premise connects Captain Marvel with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Captain

What first stands out about CAPTAIN AMERICA VOL. 4: CAPTAIN AMERICA LIVES AGAIN TPB (Trade Paperback) is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 March 2004 as part of Captain America, with Collects Captain America providing the clearest point of entry. Its premise connects Tales of Suspense with questions of duty and courage. That combination gives the opening a purpose beyond simply

Avengers (1998) 77 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 March 2004 as part of Avengers, with Wrecking Crew providing the clearest point of entry. Its premise connects MARVEL PSR with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Avengers (1998) 77 comes fro

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and X Treme X Men Vol. VII: Storm The Arena (Trade Paperback) understands that principle. The issue was published on 25 February 2004 as part of X Treme X Men, with X Treme X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another

There is something inviting about the way Wolverine/Captain America (2004) 4 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 25 February 2004 as part of Wolverine/Captain America, with X Men providing the clearest point of entry. Its premise connects Avengers Mansion with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mom

Venom (2003) 11 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 25 February 2004 as part of Venom, with Radar Station providing the clearest point of entry. Its premise connects Northern Canada with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Venom (2003) 11 comes from the g

Reading Ultimate Six (2003) 7 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 25 February 2004 as part of Ultimate Six, with Green Goblin providing the clearest point of entry. Its premise connects Ultimate Six with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Ultimate Six (2003)

Ultimate Fantastic Four (2003) 3 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 25 February 2004 as part of Ultimate Fantastic Four, with THE FANTASTIC PART providing the clearest point of entry. Its premise connects Johnny Storm with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventur

Spectacular Spider Man (2003) 10 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 25 February 2004 as part of Spectacular Spider Man, with Doc Ock providing the clearest point of entry. Its premise connects MARVEL PSR with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is

What first stands out about Punisher Max (2004) 3 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 25 February 2004 as part of Punisher Max, with PARENTAL ADVISORY providing the clearest point of entry. Its premise connects Punisher with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest wh

Mystique (2003) 11 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 25 February 2004 as part of Mystique, with MAKER'S MARK providing the clearest point of entry. Its premise connects MARVEL PSR with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Mystique

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Inhumans (2003) 10 understands that principle. The issue was published on 25 February 2004 as part of Inhumans, with NO MATTER providing the clearest point of entry. Its premise connects MARVEL PSR with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Inhumans (2003) 1