All Articles

There is something inviting about the way Ultimate X Men (2001) 66 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 11 January 2006 as part of Ultimate X Men, with DATE NIGHT PART providing the clearest point of entry. Its premise connects X Men with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Ultimate X Men (2001) 66

Ultimate Extinction (2006) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 11 January 2006 as part of Ultimate Extinction, with Gah Lak Tus providing the clearest point of entry. Its premise connects Ultimate X Men with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Ultimate

Reading Star Wars: Republic (2002) 82 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 11 January 2006 as part of Star Wars: Republic, with Star Wars: Republic providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mome

Son of M (2005) 2 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 11 January 2006 as part of Son of M, with Pietro Maximoff providing the clearest point of entry. Its premise connects SUGGESTED FOR TEENS with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Son

She Hulk (2005) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 11 January 2006 as part of She Hulk, with SHE HULK providing the clearest point of entry. Its premise connects THE AVENGERS with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when She Hulk (2005) 4 al

What first stands out about New X Men (2004) 22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 11 January 2006 as part of New X Men, with Childhood's End providing the clearest point of entry. Its premise connects New X with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when New X Me

New Thunderbolts (2004) 17 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 11 January 2006 as part of New Thunderbolts, with NEW SWORDSMAN providing the clearest point of entry. Its premise connects BARON ZEMO with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is stronge

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Milestones Special: Bloodstone, X 51, & Captain Marvel II (2006) 10 understands that principle. The issue was published on 11 January 2006 as part of Marvel Milestones Special: Bloodstone, X 51, & Captain Marvel II, with Marvel Milestones : Bloodstone, X 51, & Captain Marvel II providing the clearest point of entry. Its premise connects the supporting cast with questions

There is something inviting about the way Marvel Adventures Fantastic Four (2005) 8 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 11 January 2006 as part of Marvel Adventures Fantastic Four, with Join Reed providing the clearest point of entry. Its premise connects Favorite Fighting Family with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing anoth

Ghost Rider (2005) 5 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 11 January 2006 as part of Ghost Rider, with It's Ghost Rider providing the clearest point of entry. Its premise connects Punisher with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Ghost Rider (2005) 5 allows

Reading Exiles (2001) 75 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 11 January 2006 as part of Exiles, with WORLD TOUR providing the clearest point of entry. Its premise connects Or Skullfire with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Exiles (2001)

Daughters of the Dragon (2006) 1 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 11 January 2006 as part of Daughters of the Dragon, with Misty Knight providing the clearest point of entry. Its premise connects Colleen Wing with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot i