All Articles

There is something inviting about the way Punisher Vs. Bullseye (2005) 1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 23 November 2005 as part of Punisher Vs. Bullseye, with THE MAN'S GOT providing the clearest point of entry. Its premise connects Alphonse Patrillo with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story

Punisher Max Vol. 4: Up Is Down and Black Is White (Trade Paperback) is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 23 November 2005 as part of Punisher Max, with Ubergangster Nicky Cavella providing the clearest point of entry. Its premise connects Collects PUNISHER with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing anot

Reading Punisher Max Vol. 2: Kitchen Irish (Trade Paperback) as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 23 November 2005 as part of Punisher Max, with Hell's Kitchen providing the clearest point of entry. Its premise connects Collecting PUNISHER with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another

ORORO: BEFORE THE STORM DIGEST (Trade Paperback) opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 23 November 2005 as part of ORORO: BEFORE THE STORM DIGEST, with ORORO: BEFORE THE STORM DIGEST providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose

Nick Fury's Howling Commandos (2005) 2 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 23 November 2005 as part of Nick Fury's Howling Commandos, with Living Mummy providing the clearest point of entry. Its premise connects Nina Price with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The p

What first stands out about Marvel Previews (2005) 28 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 23 November 2005 as part of Marvel Previews, with MARVEL PREVIEWS providing the clearest point of entry. Its premise connects MARVEL T with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is stronge

Marvel Adventures Flip Magazine (2005) 6 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 23 November 2005 as part of Marvel Adventures Flip Magazine, with Includes MARVEL ADVENTURES providing the clearest point of entry. Its premise connects SPIDER MAN with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announci

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel 1602: New World (2005) 5 understands that principle. The issue was published on 23 November 2005 as part of Marvel 1602: New World, with Native Americans providing the clearest point of entry. Its premise connects Iron Man with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest w

There is something inviting about the way Daredevil (1998) 79 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 23 November 2005 as part of Daredevil, with Matt Murdock providing the clearest point of entry. Its premise connects Murdock Papers with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Daredevil (1998)

CAPTAIN UNIVERSE/INVISIBLE WOMAN 1 (2005) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 23 November 2005 as part of CAPTAIN UNIVERSE/INVISIBLE WOMAN 1, with CAPTAIN UNIVERSE/INVISIBLE WOMAN 1 providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply

Reading Captain Universe (2005) 4 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 23 November 2005 as part of Captain Universe, with Uni Power providing the clearest point of entry. Its premise connects CAPTAIN UNIVERSE with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strong

Captain America (2004) 12 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 23 November 2005 as part of Captain America, with Winter Soldier providing the clearest point of entry. Its premise connects General Lukin with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest wh