All Articles

Amazing Spider Girl (2006) 5 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 14 February 2007 as part of Amazing Spider Girl, it places Black Tarantula at the centre of a conflict shaped by truth and suspicion. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Amazing Spider Girl (2006) 5 comes from the gap betwee

What first stands out about X Men: Phoenix Warsong (2006) 5 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 7 February 2007 as part of X Men: Phoenix Warsong, it places Weapons Plus at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in X Men: Phoenix Warsong (2006) 5 comes from the gap bet

X MEN ANNUAL 1 (2007) 1 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 7 February 2007 as part of X MEN ANNUAL 1, it places X MEN 1 at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in X MEN ANNUAL 1 (2007) 1 comes from the gap between what X MEN 1 w

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and X Men Annual (2007) 1 understands that principle. Published on 7 February 2007 as part of X Men Annual, it places X Men at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in X Men Annual (2007) 1 comes from the gap between what X Men wants and what th

There is something inviting about the way X 23: Target X (2006) 3 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 7 February 2007 as part of X 23: Target X, it places Trigger Scent at the centre of a conflict shaped by truth and suspicion. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in X 23: Target X (2006) 3 comes from the gap between what Trigger Scent

White Tiger (2006) 4 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 7 February 2007 as part of White Tiger, it places Del Toro at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in White Tiger (2006) 4 comes from the gap between what Del Toro wants and what the situation will

Reading Uncanny X Men (1981) 483 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 7 February 2007 as part of Uncanny X Men, it places Deathbird at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Uncanny X Men (1981) 483 comes from the gap between what Deathbi

Uncanny X Men (1963) 483 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 7 February 2007 as part of Uncanny X Men, it places Uncanny X Men at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Uncanny X Men (1963) 483 comes from the gap between what

Ultimate Spider Man (2000) 105 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 7 February 2007 as part of Ultimate Spider Man, it places THE CLONE SAGA at the centre of a conflict shaped by affection and trust. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Ultimate Spider Man (2000) 105 allows one dec

What first stands out about Ultimate Marvel Flip Magazine (2005) 22 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 7 February 2007 as part of Ultimate Marvel Flip Magazine, it places ULTIMATE FANTASTIC FOUR at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Ultimate

The Irredeemable Ant Man (2006) 5 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 7 February 2007 as part of The Irredeemable Ant Man, it places The Irredeemable Ant Man at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when The Irredeemable An

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Squadron Supreme: Hyperion Vs. Nighthawk (2007) 2 understands that principle. Published on 7 February 2007 as part of Squadron Supreme: Hyperion Vs. Nighthawk, it places Shang Chi at the centre of a conflict shaped by truth and suspicion. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Squadron Supreme