All Articles

There is something inviting about the way Powers (2004) 22 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 3 January 2007 as part of Powers, it places SECRET IDENTITY at the centre of a conflict shaped by truth and suspicion. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Powers (2004) 22 comes from the gap between what SECRET IDENTITY wants and what the

Newuniversal (2006) 2 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 3 January 2007 as part of Newuniversal, it places White Event at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Newuniversal (2006) 2 comes from the gap between what White Event wants and what the situati

Reading Ms. Marvel (2006) 11 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 3 January 2007 as part of Ms. Marvel, it places Doomsday Man at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Ms Marvel (2006) 11 comes from the gap between what Doomsday Man want

Marvel Spotlight (2005) 13 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 3 January 2007 as part of Marvel Spotlight, it places You're Ghost Rider at the centre of a conflict shaped by fear and power. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Story momentum in Marvel Spotlight (2005) 13 comes from the gap between what Y

Marvel Adventures Spider Man (2005) 23 | Published 3 January 2007 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 3 January 2007 as part of Marvel Adventures Spider Man, it places Spider Man at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Marvel

What first stands out about Jack Kirby's Galactic Bounty Hunters (2006) 4 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 3 January 2007 as part of Jack Kirby's Galactic Bounty Hunters, it places Galactic Bounty Hunters at the centre of a conflict shaped by loyalty and belonging. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Ja

Irredeemable Ant Man (2006) 4 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 3 January 2007 as part of Irredeemable Ant Man, it places Ant Man at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Irredeemable Ant Man (2006) 4 allows one deci

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Iron Man: Hypervelocity (2007) 1 understands that principle. Published on 3 January 2007 as part of Iron Man: Hypervelocity, it places Iron Man at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Iron Man: Hypervelocity (2007) 1 allows one decision to

There is something inviting about the way Hulk (1999) 102 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 3 January 2007 as part of Hulk, it places Hulk at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Hulk (1999) 102 allows one decision to create the next problem instead of relying

Ghost Rider: Road to Damnation (Trade Paperback) is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 3 January 2007 as part of Ghost Rider, it places Garth Ennis at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Ghost Rider: Road to Damnation (Trade Paperbac

Reading Fantastic Four: The End (2006) 4 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 3 January 2007 as part of Fantastic Four: The End, it places Super Skrull at the centre of a conflict shaped by loyalty and belonging. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot is strongest when Fantastic Four: The End (2006) 4 allows o

FANTASTIC FOUR: BOOKS OF DOOM TPB (Trade Paperback) opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 3 January 2007 as part of FANTASTIC FOUR: BOOKS OF DOOM TPB, it places FANTASTIC FOUR: BOOKS OF DOOM TPB at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The plot