All Articles

Runaways (2005) 27 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 5 July 2007 as part of Runaways, it places DEAD END KIDS at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Runaways (2005) 27 treats the central conflict as a chain of consequences, which gives even

What first stands out about Punisher Presents: Barracuda Max (2007) 5 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 5 July 2007 as part of Punisher Presents: Barracuda Max, it places Cardstock Cover at the centre of a conflict shaped by discovery and technology. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Punisher Presents: Barracuda Max (2007) 5 tre

Punisher Max (2004) 49 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 5 July 2007 as part of Punisher Max, it places Explicit Content at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Punisher Max (2004) 49 treats the central conflict as a chain of consequences, wh

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and New Warriors (2007) 2 understands that principle. Published on 5 July 2007 as part of New Warriors, it places Superhuman Registration at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ New Warriors (2007) 2 treats the central conflict as a chain of consequences, which gives ev

There is something inviting about the way New Avengers/Transformers (2007) 1 establishes its world, its conflict and its emotional temperature with very little fuss. Published on 5 July 2007 as part of New Avengers/Transformers, it places Roll Out at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ New Avengers/Transformers (2007) 1 treats the central conflict as a chain of c

Ms. Marvel (2006) 17 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. Published on 5 July 2007 as part of Ms. Marvel, it places FIRE PART at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Ms Marvel (2006) 17 treats the central conflict as a chain of consequences, which gives even familiar turns a usefu

Reading Monte Cook's Ptolus: City by the Spire (Trade Paperback) as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. Published on 5 July 2007 as part of Ptolus: City by the Spire, it places Monte Cook at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Monte Cook's Ptolus: City by the Spire (Trade Paperb

Marvel Zombies/Army of Darkness (2007) 5 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. Published on 5 July 2007 as part of Marvel Zombies/Army of Darkness, it places Army of Darkness at the centre of a conflict shaped by duty and courage. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ Marvel Zombies/Army of Darkness (2007) 5 treats the

Marvel Two in One (2007) | Published 5 July 2007 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. Published on 5 July 2007 as part of Marvel Two in One, it places MARVEL ADVENTURES at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Marvel Two in One (2007)

What first stands out about Marvel Adventures Spider Man (2005) 29 is not its age or collectable status, but the directness with which it asks the reader to enter the story. Published on 5 July 2007 as part of Marvel Adventures Spider Man, it places GREY GARGOYLE at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Marvel Adventures Spider Ma

Irredeemable Ant Man (2006) 10 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. Published on 5 July 2007 as part of Irredeemable Ant Man, it places Ant Man at the centre of a conflict shaped by courage and justice. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Irredeemable Ant Man (2006) 10 are the ones where

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Fantastic Four and Power Pack (2007) 1 understands that principle. Published on 5 July 2007 as part of Fantastic Four and Power Pack, it places Jack Power at the centre of a conflict shaped by identity and responsibility. The opening explains enough to welcome a new reader while keeping the emotional pressure clear. ⁠ The most persuasive passages in Fantastic Four and Power Pac