All Articles

There is something inviting about the way Uncanny X Men (1963) 132 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 10 April 1980 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is stronges

Savage She Hulk (1980) 3 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 10 April 1980 as part of Savage She Hulk, with Jennifer Walters providing the clearest point of entry. Its premise connects the supporting cast with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Savage S

Reading Marvel Two in One (1974) 62 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 10 April 1980 as part of Marvel Two in One, with High Evolutionary's Counter providing the clearest point of entry. Its premise connects Alicia Masters with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Th

Marvel Preview (1975) 21 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 10 April 1980 as part of Marvel Preview, with Marvel Preview providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is

Marvel Premiere (1972) 53 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 April 1980 as part of Marvel Premiere, with Black Panther providing the clearest point of entry. Its premise connects T'Challa with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Marvel Premie

What first stands out about Ghost Rider (1973) 43 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 10 April 1980 as part of Ghost Rider, with Ghost Rider providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Gho

What If (1977) 20 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 April 1980 as part of What If?, with Rick Jones providing the clearest point of entry. Its premise connects Kree Skrull with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in What If (1977) 20 works through

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Tomb of Dracula (1979) 4 understands that principle. The issue was published on 1 April 1980 as part of Tomb of Dracula, with Tomb of Dracula providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in

There is something inviting about the way Thor (1966) 294 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 April 1980 as part of Thor, with Thor providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Thor (1966) 294 works throug

The Savage Sword of Conan (1974) 51 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 April 1980 as part of The Savage Sword of Conan, with The Savage Sword of Conan providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.

Reading The Savage She Hulk (1980) 3 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 April 1980 as part of The Savage She Hulk, with The Savage She Hulk providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The

The Amazing Spider Man (1963) 203 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 April 1980 as part of The Amazing Spider Man, with Star Trek providing the clearest point of entry. Its premise connects Motion Picture with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The st