All Articles

Doctor Strange, Sorcerer Supreme (1988) 27 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 March 1991 as part of Doctor Strange, Sorcerer Supreme, with Doctor Strange providing the clearest point of entry. Its premise connects THE POSSESSORS with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing anoth

What first stands out about X Factor (1986) 64 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 March 1991 as part of X Factor, with Although Iceman providing the clearest point of entry. Its premise connects Opal with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in X Factor (1986) 64 comes from t

Wolverine (1988) 37 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 March 1991 as part of Wolverine, with Civil War providing the clearest point of entry. Its premise connects Blood with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Wolverine (1988) 37 comes from the gap

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and West Coast Avengers (1985) 68 understands that principle. The issue was published on 1 March 1991 as part of West Coast Avengers, with Iron Man providing the clearest point of entry. Its premise connects Captain America with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in West Co

There is something inviting about the way Web of Spider Man (1985) 74 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 March 1991 as part of Web of Spider Man, with Web of Spider Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story mome

Uncanny X Men (1981) 274 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 March 1991 as part of Uncanny X Men, with Savage Land providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Uncanny X Men (19

Reading Uncanny X Men (1963) 274 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 March 1991 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in U

Thor (1966) 430 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 March 1991 as part of Thor, with Wrecking Crew providing the clearest point of entry. Its premise connects Ghost Rider with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Story momentum in Thor (1966) 430 comes f

The Punisher (1987) 46 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 March 1991 as part of The Punisher, with Neo Nazis providing the clearest point of entry. Its premise connects WWII with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when The Punisher (1987) 46 a

What first stands out about The Amazing Spider Man (1963) 345 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 March 1991 as part of The Amazing Spider Man, with Justin Hammer providing the clearest point of entry. Its premise connects Spider Man with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is stro

Sensational She Hulk (1989) 25 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 March 1991 as part of Sensational She Hulk, with Sensational She Hulk providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure.

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Quasar (1989) 20 understands that principle. The issue was published on 1 March 1991 as part of Quasar, with Fantastic Four providing the clearest point of entry. Its premise connects the FF with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when Quasar (1989) 20 allows one deci