All Articles

Sensational She Hulk (1989) 34 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 December 1991 as part of Sensational She Hulk, with New Orleans providing the clearest point of entry. Its premise connects Weezi with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling i

What first stands out about Quasar (1989) 29 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 December 1991 as part of Quasar, with Quasar providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Quasar (1989) 29

Punisher War Journal (1988) 37 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 December 1991 as part of Punisher War Journal, with Punisher War Journal providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The st

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Peter Parker, the Spectacular Spider Man (1976) 183 understands that principle. The issue was published on 1 December 1991 as part of Peter Parker, the Spectacular Spider Man, with Peter Parker, the Spectacular Spider Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the open

There is something inviting about the way New Warriors (1990) 18 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 December 1991 as part of New Warriors, with Night Thrasher providing the clearest point of entry. Its premise connects Taylor Foundation with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in New Warriors

Marvel Fanfare (1982) 60 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 December 1991 as part of Marvel Fanfare, with Marvel Fanfare providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Marvel F

Reading Marc Spector: Moon Knight (1989) 33 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 December 1991 as part of Marc Spector: Moon Knight, with Marc Spector: Moon Knight providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing an

Knights of Pendragon (1990) 18 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 December 1991 as part of Knights of Pendragon, with Knights of Pendragon providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adven

Iron Man (1968) 275 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 December 1991 as part of Iron Man, with Dragon Seed providing the clearest point of entry. Its premise connects Iron Man with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with e

What first stands out about Incredible Hulk (1962) 388 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 December 1991 as part of Incredible Hulk, with Rick Jones providing the clearest point of entry. Its premise connects Jim Wilson with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every p

Guardians of the Galaxy (1990) 19 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 December 1991 as part of Guardians of the Galaxy, with HOMECOMING PART providing the clearest point of entry. Its premise connects Guardians with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and GHOST RIDER/WOLVERINE/PUNISHER: HEARTS OF DARKNESS 1 (1991) 1 understands that principle. The issue was published on 1 December 1991 as part of GHOST RIDER/WOLVERINE/PUNISHER: HEARTS OF DARKNESS 1, with GHOST RIDER/WOLVERINE/PUNISHER: HEARTS OF DARKNESS 1 providing the clearest point of entry. Its premise connects the supporting cast with questions of affection and trust. That