All Articles

New Warriors Annual (1991) 4 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 January 1994 as part of New Warriors Annual, with New Warriors providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strong

What first stands out about New Warriors (1990) 43 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 January 1994 as part of New Warriors, with New Warriors providing the clearest point of entry. Its premise connects the supporting cast with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest when New

Mort The Dead Teenager (1993) 2 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 January 1994 as part of Mort the Dead Teenager, with Mort providing the clearest point of entry. Its premise connects Death with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The plot is strongest w

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Morbius: The Living Vampire (1992) 17 understands that principle. The issue was published on 1 January 1994 as part of Morbius: The Living Vampire, with Morbius: The Living Vampire providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventu

There is something inviting about the way Midnight Sons Unlimited (1993) 4 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 January 1994 as part of Midnight Sons Unlimited, with Midnight Sons Unlimited providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adve

MARVEL FRONTIER COMICS UNLIMITED 1 (1994) 1 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 January 1994 as part of MARVEL FRONTIER COMICS UNLIMITED 1, with MARVEL FRONTIER UNLIMITED 1 providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcin

Reading Marvel Frontier Comics Unlimited (1994) 1 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 January 1994 as part of Marvel Frontier Comics Unlimited, with Marvel Frontier Unlimited providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply a

Marvel Comics Presents (1988) 146 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 January 1994 as part of Marvel Comics Presents, with Marvel Presents providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another advent

Marvel Comics Presents (1988) 145 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 January 1994 as part of Marvel Comics Presents, with Marvel Presents providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure

What first stands out about Iron Man Annual (1976) 15 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 January 1994 as part of Iron Man Annual, with Iron Man providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling

Iron Man (1968) 300 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 January 1994 as part of Iron Man, with Iron Legion providing the clearest point of entry. Its premise connects War Machine with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The storytelling in Iron Man (1968) 300 works t

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Incredible Hulk Annual (1976) 20 understands that principle. The issue was published on 1 January 1994 as part of Incredible Hulk Annual, with Incredible Hulk providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The