All Articles

There is something inviting about the way Captain America (1968) #171 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 March 1974 as part of Captain America, with Cap providing the clearest point of entry. Its premise connects America with questions of truth and suspicion. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanati

Avengers (1963) #121 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 March 1974 as part of Avengers, with Trade Center providing the clearest point of entry. Its premise connects Cornelius Van Lunt with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with explanation, Aveng

Reading Amazing Adventures (1970) #23 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 March 1974 as part of Amazing Adventures, with Rattack providing the clearest point of entry. Its premise connects Martians with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every

Adventure Into Fear (1970) #20 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 13 February 1974 as part of Adventure Into Fear, with Morbius the Living providing the clearest point of entry. Its premise connects Los Angeles with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than cro

Uncanny X Men (1981) #86 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 February 1974 as part of Uncanny X Men, with Reprint of Uncanny providing the clearest point of entry. Its premise connects X Men with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Uncanny X Men (1981) #8

What first stands out about Two Gun Kid (1948) #116 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 10 February 1974 as part of Two Gun Kid, with Two Gun Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Two Gun Kid (1948)

Defenders (1972) #12 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 10 February 1974 as part of Defenders, with Titan providing the clearest point of entry. Its premise connects Hulk with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Defenders (1972) #12 treats the central conflict

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Dead of Night (1973) #2 understands that principle. The issue was published on 10 February 1974 as part of Dead of Night, with Dead of Night providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Dead of Night (1973)

There is something inviting about the way Adventure Into Fear (1970) #19 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 2 February 1974 as part of Adventure Into Fear, with Howard the Duck providing the clearest point of entry. Its premise connects Jennifer Kale with questions of duty and courage. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Adventure Into Fear (

Werewolf By Night (1972) #14 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 February 1974 as part of Werewolf by Night, with Phillip Russell providing the clearest point of entry. Its premise connects Topaz with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Werewolf By Night (1972) #14 treat

Reading Vampire Tales (1973) #3 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 February 1974 as part of Vampire Tales, with Vampire Tales providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Vampire Tales (1973) #3 treats

Tomb of Dracula (1972) #17 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 February 1974 as part of Tomb of Dracula, with Dracula Round Two providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Tomb of Dracula (