All Articles

Daredevil (1964) #93 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 November 1972 as part of Daredevil, with Project Four providing the clearest point of entry. Its premise connects Damon Dran with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in

What first stands out about Werewolf By Night (1972) #2 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 1972 as part of Werewolf by Night, with Mark Cephalos providing the clearest point of entry. Its premise connects Werewolf with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasiv

Tomb of Dracula (1972) #5 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 1972 as part of Tomb of Dracula, with Transylvania providing the clearest point of entry. Its premise connects the supporting cast with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passag

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Thor (1966) #205 understands that principle. The issue was published on 1 November 1972 as part of Thor, with Thunder God providing the clearest point of entry. Its premise connects Lady Sif with questions of fear and power. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in Thor (1966) #205 are the ones wh

There is something inviting about the way The Cat (1972) #1 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 November 1972 as part of The Cat, with THE CAT STALKS providing the clearest point of entry. Its premise connects AT NIGHT with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in The Cat (

The Amazing Spider Man (1963) #114 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 November 1972 as part of The Amazing Spider Man, with Wallcrawler providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most pers

Reading Sub Mariner (1968) #55 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 November 1972 as part of Sub Mariner, with Torg the Abominable providing the clearest point of entry. Its premise connects Snow King with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive passages in

Sgt Fury (1963) #104 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 November 1972 as part of Sgt. Fury, with Sgt. Fury providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The most persuasive pass

Rawhide Kid (1955) #105 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 1 November 1972 as part of Rawhide Kid, with Rawhide Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level,

What first stands out about Night Nurse (1972) #1 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 1 November 1972 as part of Night Nurse, with Linda Carter providing the clearest point of entry. Its premise connects Metro General Hospital with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative leve

My Love (1969) #20 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 November 1972 as part of My Love, with My Love providing the clearest point of entry. Its premise connects the supporting cast with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, My Love (1969) #20 un

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and Marvel Team Up (1972) #5 understands that principle. The issue was published on 1 November 1972 as part of Marvel Team Up, with Spider Man providing the clearest point of entry. Its premise connects the Wall with questions of discovery and technology. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ At narrative level, Marvel Team Up (1