All Articles

There is something inviting about the way Avengers (1963) #72 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 January 1970 as part of Avengers, with Rick Jones providing the clearest point of entry. Its premise connects Avengers Mansion with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with expl

Young Men (1950) #4 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 31 December 1969 as part of Young Men, with Young Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every page with expla

Reading Millie the Model (1945) #105 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 31 December 1969 as part of Millie the Model, with Beauty providing the clearest point of entry. Its premise connects Beach with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowding every pa

Love Romances (1949) #96 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 31 December 1969 as part of Love Romances, with Love Romances providing the clearest point of entry. Its premise connects the supporting cast with questions of affection and trust. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rather than crowdin

Uncanny X Men (1981) #63 provides an enjoyable reminder that Marvel history is built from individual issues with their own rhythms, risks and small surprises. The issue was published on 10 December 1969 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Uncanny X Men

What first stands out about Uncanny X Men (1963) #63 is not its age or collectable status, but the directness with which it asks the reader to enter the story. The issue was published on 10 December 1969 as part of Uncanny X Men, with Uncanny X Men providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Uncanny X Men

Thor (1966) #171 arrives with the confidence of a comic that knows spectacle matters most when the people inside it have something meaningful to lose. The issue was published on 1 December 1969 as part of Thor, with Donald Blake providing the clearest point of entry. Its premise connects Pedro Luis Lopez with questions of courage and justice. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Thor (1966) #171 treats the central conflict

A strong comic issue should offer a reason to care before the machinery of the plot takes over, and The Amazing Spider Man (1963) #79 understands that principle. The issue was published on 1 December 1969 as part of The Amazing Spider Man, with Jonah Jameson providing the clearest point of entry. Its premise connects Wallcrawler with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ The Amazing

There is something inviting about the way Sub Mariner (1968) #20 establishes its world, its conflict and its emotional temperature with very little fuss. The issue was published on 1 December 1969 as part of Sub Mariner, with Doctor Doom providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Sub Mariner (1968) #20 t

Silver Surfer (1968) #11 is the kind of issue that makes an old publication date feel less important than the energy waiting on the first page. The issue was published on 1 December 1969 as part of Silver Surfer, with Silver Surfer providing the clearest point of entry. Its premise connects the supporting cast with questions of loyalty and belonging. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Silver Surfer (1968) #11 treats the

Reading Sgt Fury (1963) #73 as part of Marvel's wider catalogue reveals an issue with a clear personality and a surprisingly immediate sense of purpose. The issue was published on 1 December 1969 as part of Sgt. Fury, with Sgt. Fury providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Sgt Fury (1963) #73 treats th

Rawhide Kid (1955) #73 opens the door to a distinct corner of Marvel history rather than feeling like a catalogue entry that should be admired from a distance. The issue was published on 1 December 1969 as part of Rawhide Kid, with Rawhide Kid providing the clearest point of entry. Its premise connects the supporting cast with questions of identity and responsibility. That combination gives the opening a purpose beyond simply announcing another adventure. ⁠ Rawhide Kid (1955)